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items tagged with Jeffrey Wright

Shymalan a Ding Dong: “Lady in the Water,” “Clerks II,” and “My Super Ex-Girlfriend”
Written By: Mike Schulz
Section: Movies

Category: Reviews

2006-07-26 04:43:47

Paul Giamatti and Bryce Dallas Howard in Lady in the WaterLADY IN THE WATER

A mysterious publicity campaign used to work in M. Night Shymalan's favor; the less you knew about his forthcoming movies, the more you wanted to see them. Now, however, a lack of pre-release information on a Shymalan project seems less about building suspense than trying to quarantine bad buzz, and, in the case of Lady in the Water, with good reason.

This might be the most hysterically inane movie of the year. This might be the most hysterically inane movie of the next several years. I'm torn between urging you to stay as far away from the film as possible and demanding that you line up to see it immediately; a cinematic goof of this magnitude is almost too priceless to miss.


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For the Children, or Merely Childish?: "The Chronicles of Narnia: The Lion, the Witch, & the Wardrobe" and "Syriana"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2005-12-14 00:00:00

Tilda Swinton and Skandar Keynes in The Chronicles of Narnia: The Lion, the Witch, & the WardrobeTHE CHRONICLES OF NARNIA: THE LION, THE WITCH, & THE WARDROBE

The Chronicles of Narnia: The Lion, the Witch, & the Wardrobe, director Andrew Adamson’s imagining of the first book in C. S. Lewis’ Narnia series, is almost childishly clunky, but it’s nearly impossible to dislike. Geared, as it appears, toward a very young audience – I’d say seven or eight – the movie is sweet, and it’s sincere, and it displays a welcome touch of fairy-tale simplicity. Despite the rather prosaic nature of its presentation, Narnia is one of those movies that, if it catches children at the right age, might linger in their memories for some time to come; it’s just magical enough to suggest how magical it should have been. For kids who are finally seeing their beloved Narnia novel translated to the big screen, Adamson’s Narnia will be good enough. It just doesn’t have much to offer the rest of us. Adamson is co-director of the Shrek movies, and he does a fair enough job with the movie’s CGI wonders; the lion Messiah Aslan (voiced, to the surprise of no one, by Liam Neeson) moves with regal grace, and the beavers who accompany the Pevensie children on their quest seem to be, for kids in the audience, enjoyably frisky characters. But all throughout the film, I had the nagging feeling that, if he was allowed, Adamson would have happily computer-generated his humans, too.


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A Hundred-Plus Reasons to Go to the Movies
Written By: Mike Schulz
Section: Movies

Category: Feature Stories

2004-10-27 00:00:00
My first article for the River Cities’ Reader appeared in Issue 18, way back in March of 1995. (You know how long ago that was? Tom Hanks had only one Oscar.) Serving as the Reader’s film critic was, and still is, a terrific gig – for an avowed movie fanatic who loves to write, the chance to expound on the state of cinema has always been about more than giving a particular work a “yay” or “nay” vote; it’s given me, in a minor way, the opportunity to analyze an entire culture, to try to understand what’s in the heads of those who make films, and those who distribute films, and the millions of us who view them.
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"Harold & Kumar" No Masterpiece, But It’s Smart and Fun: "Harold & Kumar Go to White Castle," "The Manchurian Candidate"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2004-08-11 00:00:00

How strange that, of the two movies I recently caught as a double-feature – Jonathan Demme’s The Manchurian Candidate and Harold & Kumar Go to White Castle, directed by Dude, Where’s My Car? auteur Danny Leiner – not only is Harold & Kumar the better of the two, it’s the only one really worth discussing in any detail.


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2003 in Movies
Written By: Mike Schulz
Section: Movies

Category: Feature Stories

2003-12-24 00:00:00

Among the year’s seemingly endless spate of business-as-usual Hollywood product, with the remakes and sequels and – in the case of Terminator 3: Rise of the Machines – a de facto remake of a sequel, I saw exactly one work in 2003 that, with absolutely no qualms, I would call a masterpiece, and it made its debut on HBO. (It was that kind of year.)
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