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items tagged with Jessica Chastain

Goth-ick: "Crimson Peak," "Beasts of No Nation," and "I’ll See You in My Dreams"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2015-10-18 23:11:05

Tom Hiddleston and Mia Wasikowska in Crimson PeakCRIMSON PEAK

You gotta give director Guillermo del Toro credit: When he wants to make a movie in which the central character, for all intents and purposes, is a haunted house, this man does not mess around.
Read More About Goth-Ick: "Crimson Peak," "Beasts Of No Nation," And "I’Ll See You In My Dreams"...


Ridley’s Believe It or Not: "The Martian" and "Sicario"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2015-10-03 22:01:02

Matt Damon in The MartianTHE MARTIAN

If you, too, are a devotee of Ridley Scott’s Alien, you’ll no doubt remember how its title came into view during the opening credits: as a series of vertical, diagonal, and horizontal white lines that slowly appeared, beginning with the “I,” one or two at a time until the capitalized “ALIEN” was wholly spelled out. Thirty-six years later, the title for Scott’s sci-fi tale The Martian is revealed in the exact opposite manner: as a full, capitalized “THE MARTIAN” that gradually fades away, one portion at a time, until only the “I” remains.

Obviously, that disappearing act is a decidedly minor touch, especially in a film that runs just shy of two-and-a-half hours. But it might also be Scott’s most quietly clever touch, and not merely because The Martian’s chief narrative concerns an “I” that winds up left all alone. By offering a literal reverse of his 1979 achievement’s opener, Scott seems to be suggesting, with an wink, that his new endeavor will be 180 degrees removed from the claustrophobic, stomach-bursting horror of Alien, and that proves decidedly to be the case. While this adaptation of Andy Weir’s bestseller (with its script by Drew Goddard) does share some of Alien’s themes, principally the life-and-death imperatives behind deep-space problem-solving, Scott’s latest is expansive instead of spare, chatty instead of terse, heartening instead of nihilistic. It’s also, far and away, and from beginning to end, the most sheerly likable movie Ridley Scott has yet made – an exciting, moving, and altogether glorious sci-fi bear hug that leaves you feeling almost ridiculously happy. Given a career that’s found him exploring every conceivable shade of dark, it turns out that Scott looks pretty great in the light.
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I'd Like to Thump the Academy … : Notes on the 2015 Academy Awards Telecast
Written By: Mike Schulz
Section: Movies

Category: Feature Stories

2015-02-23 22:00:33

producer/writer/director Alejandro G. Iñárritu and team members of Best Picture Birdman or (The Unexpected Virtue of Ignorance)Neil Patrick Harris, at the tail end of last night's Academy Awards ceremony, climaxed his hosting duties with the resolution to a magic trick he'd set up earlier in the evening. Much, much earlier in the evening.


Read More About I'd Like To Thump The Academy … : Notes On The 2015 Academy Awards Telecast...


Qualms Before the Storm: "A Most Violent Year," "Journey to Space 3D," "Black or White," "The Loft," and "Project Almanac"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2015-02-01 23:39:41

Jessica Chastain and Oscar Isaac in A Most Violent YearLike a squirrel gathering nuts before winter, I made a conscious effort to catch all five of this past weekend’s debuting releases before our area was hit by the blizzard from Hell. (An oxymoronic expression, but whatever.) And because, with the exception of the museum’s feature, even the really good one will likely be gone before the snowy onslaught begins to melt, let’s take care of ’em quickly. In descending order of preference ... .


Read More About Qualms Before The Storm: "A Most Violent Year," "Journey To Space 3D," "Black Or White," "The Loft," And "Project Almanac"...


To Be Continuum-ed: "Interstellar" and "Big Hero 6"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2014-11-07 19:43:22

Anne Hathaway and Matthew McConaughey in InterstellarINTERSTELLAR

With his breathlessly anticipated, behemoth-sized space opera Interstellar, has Christopher Nolan finally bitten off more than he can chew, or simply more than I can chew? I’d like to believe the latter, considering I like three of Nolan’s eight previous features and adore four others (with apologies to Batman Begins, which I merely tolerate), and considering half the movie’s dialogue is elaborate techo-jargon that I was predisposed not to understand. But like an itchy lover who says “It’s not you; it’s me” when he really means the opposite, I’m still laying most of my dissatisfaction at Nolan’s feet, and for a pretty basic reason: For all of its narrative and technical razzle-dazzle, Interstellar is the man’s first film that’s expressly about humans, and humans aren’t remotely close to being Nolan’s strong suit.


Read More About To Be Continuum-Ed: "Interstellar" And "Big Hero 6"...





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