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items tagged with Jessica Denney

Deaf Poetry Jam: "Tribes," at the QC Theatre Workshop through June 28
Written By: Mike Schulz
Section: Theatre

Category: Reviews

2015-06-15 12:00:00

Michael Carron, Calvin Co, and Adam Cerny in TribesThe QC Theatre Workshop’s Tribes didn’t start off well for me on Friday, as I immediately hated Adam Cerny’s overacting, with eye rolls so huge I was sure anyone in the lobby could see them through the curtain that separates it from the performance space. So I prepared myself for two hours of such overly dramatic physicality, after first cursing director Jennifer Popple for casting Cerny as a son in playwright Nina Raine’s troubled-family saga.

It didn’t take long, however, for Cerny to completely change my mind, as it became clear that his Daniel is, himself, over-dramatic, given that his manic figure hears voices in his head. Cerny’s characterization, it turns out, isn’t bad acting; it’s actually spot-on, and moved me from initial dislike – agreeing with Michael Carron’s crotchety, opinionated patriarch Christopher that Daniel should “F--- off!” – to sympathetic pity for this troubled person. It was also through Daniel's viewpoint that I experienced Raine's story of a constantly arguing family that cruelly teases each other, with their only sense of grounding coming from Calvin Vo’s Billy, the clan's ever-patient, deaf-from-birth younger son.


Read More About Deaf Poetry Jam: "Tribes," At The QC Theatre Workshop Through June 28...


Family Affair: "How I Learned to Drive," at the QC Theatre Workshop through September 21
Written By: Mike Schulz
Section: Theatre

Category: Reviews

2013-09-09 12:00:00

Angela Rathman, Mike Schulz, Jessica Denney, Chris Page, and Karen Jorgenson in How I Learned to DriveThere’s a beautiful humanity in the QC Theatre Workshop’s production of How I Learned to Drive, which presents playwright Paula Vogel’s pedophilic tale with realistic characters rather than caricatures clearly defined as “good” and “evil.”


Read More About Family Affair: "How I Learned To Drive," At The QC Theatre Workshop Through September 21...


Battle Cry: "A Green River," at the QC Theatre Workshop through July 16
Written By: Mike Schulz
Section: Theatre

Category: Reviews

2013-07-08 12:00:00

Thomas Alan Taylor in A Green RiverPlaywright Aaron Randolph III has, so far as I know, effectively captured the mental workings of a soldier suffering from post-traumatic stress disorder in his new drama A Green River. A representation of the chaotic, haunting thoughts likely experienced by some soldiers with PTSD, his play takes us through the memories of a single soldier – from childhood to falling in love to combat to his return home – while the young man revisits his favorite quiet place along a river. And as if the proceedings in Randolph’s story weren’t enough, he also includes a stunningly moving finale that packs such an emotional punch that I'd be surprised if most, if not all, of Saturday’s audience members for the QC Theatre Workshop production aren’t still reeling from it.


Read More About Battle Cry: "A Green River," At The QC Theatre Workshop Through July 16...


Apocalypse Now-ish: "boom," at the QC Theatre Workshop through May 18
Written By: Mike Schulz
Section: Theatre

Category: Reviews

2013-05-06 12:00:00

Thomas Alan Taylor and Jessica Denney in boomWhile playwright Peter Sinn Nachtrieb’s boom is slyly hilarious, and the QC Theatre Workshop’s production of it laudable for so many reasons, there is one aspect of the performance that stands out in particular: Angela Elliott’s laugh.


Read More About Apocalypse Now-Ish: "Boom," At The QC Theatre Workshop Through May 18...


Fools for Love: "Private Eyes," at the QC Theatre Workshop through February 3
Written By: Mike Schulz
Section: Theatre

Category: Reviews

2013-01-21 12:00:00

Jessica Sheridan, Mike Schulz, and Thomas Alan Taylor in Private EyesWhat starts as a theatre audition quickly becomes something entirely different in the QC Theatre Workshop’s second production, Private Eyes. And this change from what’s real to what’s … well … something else is something I don’t want to fully describe, because such a shift happened several times – and at very unexpected moments – during Friday's performance, making the evening a bit of an intriguing thrill that repeatedly piqued my curiosity.


Read More About Fools For Love: "Private Eyes," At The QC Theatre Workshop Through February 3...





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