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items tagged with Jim Belushi

A Work of Art ... I Think: "Under the Skin" and "Legends of Oz: Dorothy’s Return"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2014-05-11 22:19:56

Scarlett Johansson in Under the SkinUNDER THE SKIN

Under the Skin, a dreamlike sci-fi/horror tale by director Jonathan Glazer, might just be the most fascinating, entrancing, thrilling movie I’ve ever seen given nearly unbearable viewing conditions.


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Roman’s Holiday: “The Ghost Writer,” “Diary of a Wimpy Kid,” “The Bounty Hunter,” and “Hubble 3D”
Written By: Mike Schulz
Section: Movies

Category: Reviews

2010-03-22 13:28:45

Pierce Brosnan and Ewan McGregor in The Ghost WriterTHE GHOST WRITER

Calling Roman Polanski's The Ghost Writer "lighthearted" isn't entirely accurate, as the movie is a moody suspense thriller concerning high-level government conspiracies, and its color palette seems to shift only from gray to very dark gray. Then again, this is a Polanski film we're talking about - coming from the man who gave us Rosemary's Baby, Repulsion, Chinatown, and The Pianist, it's practically Gidget Goes Hawaiian.


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Hoffman Dazzles in a Remarkable "Capote": Also, "Hoodwinked" and "The New World"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2006-01-25 00:00:00

Philip Seymour Hoffman in CapoteCAPOTE

When I first saw Bennett Miller’s Capote back in November, I was so knocked out by Philip Seymour Hoffman’s portrayal that I fear I may have undervalued the movie itself; Hoffman’s channeling of this singular author was so extraordinary that, although the film itself wouldn’t fit anyone’s definition of “feel-good,” I’m not sure I stopped smiling once through its two-hour running length. (Performances of this quality have a way of putting me in a fantastic mood, regardless of a movie’s subject matter.) But on a return visit to Capote this past weekend, I was able to more fully luxuriate in the brilliance of its design and the strength of its presentation; what could have been a “mere” performance piece proves, in the hands of Miller and screenwriter Dan Futterman, to be a work of rare artistry and depth. Capote is so beautifully crafted – thematically rich, psychologically insightful, and mordantly funny – that you might be embarrassed by what a fine time you’re having at it.


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