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items tagged with Jim Broadbent

Oscar-Winning "Iris" Misses Its Mark: Also, "Life or Something Like It"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2002-05-01 00:00:00

Jim Broadbent and Judi Dench in IrisIRIS

Allow me a moment, if you will, to thank the folks at Moline’s Nova 6 Cinemas for their continued efforts at occasionally booking more offbeat cinematic fare than the multiplex standard.


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"Ice Age" a Frozen Family Treat: "Ice Age," "Showtime," "The Time Machine," and 2002 Oscar Predictions
Written By: Mike Schulz
Section: Movies

Category: Reviews

2002-03-20 00:00:00

Scrat in Ice AgeICE AGE

Movies with charm have been in such short supply this year that the animated Ice Age feels like a shot of pure oxygen. Visually, the film is lacking the detail of a Shrek or a Monsters, Inc., and it’s a bit on the goody-goody side, but it’s a completely enjoyable, amiable good time at the cineplex, particularly if you’ve been looking for a movie to take the family to that’s less saccharine than Return to Neverland and infinitely smarter than the likes of Big Fat Liar and Snow Dogs.


Read More About "Ice Age" A Frozen Family Treat: "Ice Age," "Showtime," "The Time Machine," And 2002 Oscar Predictions...


"Moulin Rouge" Provokes Passionate Response: Also, "Pearl Harbor" and "What's the Worst That Could Happen?"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2001-06-07 00:00:00

Nicole Kidman and Ewan McGregor in Moulin RougeMOULIN ROUGE

I loved Baz Luhrmann’s musical Moulin Rouge, but what I adore even more than the film itself are works like it – artistically divisive movies that give you no choice but to love or hate them.


Read More About "Moulin Rouge" Provokes Passionate Response: Also, "Pearl Harbor" And "What's The Worst That Could Happen?"...


Zellweger Shines (Again) in “Diary”: “Bridget Jones’s Diary,” “Blow,” and “Josie & the Pussycats”
Written By: Mike Schulz
Section: Movies

Category: Reviews

2001-04-18 12:00:00

Renee Zellweger in Bridges Jones's DiaryBRIDGET JONES'S DIARY

A terrific leading character can atone for a lot of wrongs in a film, and there might be no better proof of that thesis than Bridget Jones's Diary, Sharon Maguire's adaptation of Helen Fielding's incredibly popular novel. Our heroine, a 32-year-old British woman who works a dead-end publishing job, is a completely realistic type we almost never see in movies: a chain-smoking, wine-slurping, slightly overweight, unsatisfied-in-relationships flirt who wants desperately to better herself but doesn't have the motivation or discipline to do so. Flawed as she is, she's intensely endearing, and as perfectly played by Renée Zellweger, she's a magically comic creation, even more wonderful than Zellweger's previous incarnations of Dorothy Boyd and Nurse Betty. That the moviemakers spend the film's running length putting her in one humiliating situation after another, and that she's trapped in a predictable love triangle between a cad and a sweetie, aren't to be held against her; Bridget Jones, and Zellweger herself, triumph over their circumstances, creating a totally enjoyable cinematic work, flaws and all.


Read More About Zellweger Shines (Again) In “Diary”: “Bridget Jones’S Diary,” “Blow,” And “Josie & The Pussycats”...





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