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items tagged with Jim Caviezel

"The Passion of the Christ"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2004-03-04 00:00:00

The Passion of the ChristTHE PASSION OF THE CHRIST

Leaving a screening of The Passion of the Christ, I felt pummeled, confused, and very, very angry, feelings I can’t imagine director Mel Gibson wanting to inspire with his cinematic take on Jesus Christ’s last 12 hours on earth.


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Two Stupid Movies Don’t Spell "Trouble": "High Crimes" and "Big Trouble"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2002-04-10 00:00:00

Morgan Freeman and Ashley Judd in High CrimesHIGH CRIMES

If Hollywood studios absolutely insist on feeding us one piece-of-crap potboiler after another, they could certainly do worse than the trashily entertaining military thriller High Crimes.


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Story Saves "The Count": "The Count of Monte Cristo," "Birthday Girl," and "Slackers"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2002-02-06 00:00:00

Henry Cavill, Dagmara Dominczyk, James Caviezel, and Luis Guzman in The Count of Monte CristoTHE COUNT OF MONTE CRISTO

The best reason to see the latest remake of The Count of Monte Cristo is the source material. You can easily shrug off the movie’s unimaginative staging, corny laugh lines, and obtrusive score for the chance to enjoy an opulently designed adaptation of Alexandre Dumas’ audience-grabbing tale; it’s the sort of story that was once called “a ripping good yarn.”


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"Shrek" Is For Kids: Also, "Angel Eyes" and "A Knight's Tale"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2001-05-23 00:00:00

ShrekSHREK

Let’s face it: Kids are gonna love Shrek, Dreamworks’ comedic, computer-animated fairy tale. They’ll get a kick out of the loud, outsize characters and superb visuals, and they’ll probably laugh a lot. No one under 12 will want to miss it.

As for the rest of us ... .


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“Best” and Worst: “Best in Show” and “Pay It Forward”
Written By: Mike Schulz
Section: Movies

Category: Reviews

2000-11-01 12:00:00

Eugene Levy and Catherine O'Hara in Best in ShowBEST IN SHOW

The genius of Christopher Guest lies in his belief that nothing is funnier than mediocrity. (He's the antithesis of Peter Shaffer's Salieri in Amadeus, who saw it as a tragic failure.) In his two finest cinematic efforts, This Is Spinal Tap and Waiting for Guffman, the performers examined in the "mockumentary" format - Tap's hard rockers and Guffman's thespians - were delightful because of their clueless self-satisfaction; they truly thought they were creating Art, or at least really kick-ass entertainment. And the joke blossomed every time we watched them perform their shows before audiences, because it turned out that these well-meaning hacks, while by no means terrific, weren't all that bad. They might have been lacking in talent, but their enthusiasm was infectious, and it made sense that their shows were hits. (God knows I've seen worse community-theatre productions than Guffman's Red, White, & Blaine.) Guest, who co-wrote both films and served as director for Guffman, was thereby able to poke fun at his characters and have you genuinely rooting for them at the same time.


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