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items tagged with John D Aversa

Farce to Be Reckoned With: "Figaro," at Augustana College through October 27
Written By: Mike Schulz
Section: Theatre

Category: Reviews

2013-10-21 12:00:00

Leslie Kane and Joshua Pride in Figaro (photo by Daisy Hoang, Augustana Photo Bureau)Augustana College’s Figaro is a fine example of how witty, self-referential humor makes for a better farce than does banal innuendo and silly, unrealistic door slamming. Playwright Charles Morey’s recent adaptation of Pierre Beaumarchais’ The Marriage of Figaro (written in 1778) is sharply funny, filled with references to Beaumarchais’ original trilogy (“It would take an Italian opera to describe [the plot.]”) and digs at the rich (“How clever of you, sir, to be rich rather than smart.”) There’s still sexual innuendo and slamming doors, but Morey’s script is so much quick-paced, pointedly humorous fun that the two-hour presentation rises above the level of most bedroom farce, especially considering that this production is populated by such a well-cast ensemble.


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The Young and the Restless: "subUrbia," at Augustana College through May 5
Written By: Mike Schulz
Section: Theatre

Category: Reviews

2013-04-29 12:00:00

John D'Aversa, Joshua Malone, and Bill Cahill in subUrbiaAugustana College’s production of subUrbia features one of the most (if not the most) layered and fascinating sets I’ve yet seen on a local stage, as Adam Parboosingh's scenic design manages to give us both a brick storefront – including parking spaces, cement parking bumps, scaffolding, a dumpster, and even a period-appropriate, mid-'90s pay phone – and the fully stocked interior of a convenience store at the same time. Consequently, Parboosingh’s set rendered Friday’s performance interesting well before the play even started, offering much to take in visually while we waited for the proverbial curtain to rise.


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Burning Down the House: "The Arsonists," at Augustana College through October 21
Written By: Mike Schulz
Section: Theatre

Category: Reviews

2012-10-15 12:00:00

Luke Currie, Leslie Kane, Jaylen Marks, Macy Hernandez and Elyssa Lemay (top row), and Corbin Delgado and Bill Cahill (bottom row) in The Arsonists; photo by Long NguyenDirector Jeffrey Coussens makes some beautiful choices regarding the positioning of his Greek chorus of public-safety officers in Augustana College’s The Arsonists. At different points in the play, he places this group of seven – with the character of the Policeman leading six firefighters – huddled on the stairs to the set’s attic, flanking both sides of the stage with the same legs crossed, and sitting along the front of the stage, watching the action. And their orderly placement, along with the chorus members' bright yellow uniforms, are a striking contrast to the escalating destruction that’s taking place on stage.


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