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items tagged with John Goodman

Magic / Mike: Schulz’s 10(-Plus) Most Enjoyable Movies of 2012
Written By: Mike Schulz
Section: Movies

Category: Feature Stories

2013-01-07 16:15:13

It’s incomplete, with such 2012 releases as Zero Dark Thirty, Amour, Rust & Bone, Arbitrage, The Intouchables, Not Fade Away, and Here Comes the Boom (ha ha!) still requiring my viewing. And it’s certainly eclectic, as even I can’t fathom a double feature of titles number one and two below. But in an all-around outstanding year for movies, the following ranking of 10 selections – with a bonus inclusion – is, as of January 6, my list of the absolute best times I had as a film fanatic this past year.


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Pilot Lit: "Flight," "Wreck-It Ralph," and "The Man with the Iron Fists"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2012-11-05 03:04:15

Denzel Washington in FlightFLIGHT

Within the first 15 minutes of director Robert Zemeckis’ Flight, you’ll witness what must rank as one of cinema’s most frightening, emotionally wrenching plane crashes. Yet in the end, and as harrowing as this passage is, I’m not sure that it’s actually more terrifying or heartbreaking than the scenes of Denzel Washington’s Whip Whitaker – the pilot whose heroic actions save 96 lives aboard that ill-fated flight – battling his urge to drink and, with only the mildest feelings of regret, losing that battle again and again and again.


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Rescue Mission Impossible: "Argo," "Seven Psychopaths," "The Perks of Being a Wallflower," and "Sinister"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2012-10-15 05:28:26

John Goodman, Alan Arkin, and Ben Affleck in ArgoARGO

It sounds like an all-too-Hollywood idea for a high-concept suspense thriller: A sextet of State Department employees are trapped in Iran, and their only hope for escape lies with an ingenious CIA official who plans to free the Americans by having them pose as a location-scouting team for a Canadian science-fiction movie. Yet within its first minutes, director/star Ben Affleck’s Argo – based on a recently declassified chapter of the Iranian hostage crisis of 1979-80 – registers as terrifically, nerve-rackingly authentic, even if the film’s most enjoyable elements are, in truth, as Hollywood as they come.


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Black and White and Rad All Over: "The Artist"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2012-01-23 15:38:48

Jean Dujardin and Uggie in The ArtistTHE ARTIST

In the spirit of Michel Hazanavicius’ extraordinary silent-film celebration The Artist, I considered offering a review that, likewise, didn’t offer much in the way of verbal language – just a smiley-face emoticon in the biggest font possible. And after two viewings (so far) of this intimate yet grandly ambitious comedy, I’m still not sure that a review filled with actual words will offer a more thorough expression of the rapturous pleasure it fills me with; upon leaving Hazanavicius’ exhilarating experiment in black and white, both times, I haven’t felt the urge to talk about it so much as sit back and reflect on it with a huge grin plastered to my face.


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Ground Zero Offense: "Extremely Loud & Incredibly Close," "Red Tails," and "Haywire"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2012-01-23 15:34:23

Tom Hanks and Thomas Horn in Extremely Loud & Incredibly CloseEXTREMELY LOUD & INCREDIBLY CLOSE

The protagonist of director Stephen Daldry’s Extremely Loud & Incredibly Close – based on Jonathan Safran Foer’s famed 9/11/01-themed novel and adapted by screenwriter Eric Roth – is Oskar Schell, an 11-year-old Manhattanite who tells a new acquaintance that he was once tested for Asperger’s syndrome, but that “the results weren’t definitive.” My first thought upon hearing that admission was that Oskar’s folks really should’ve sought a second opinion, because with young actor Thomas Horn tearing through breathless reams of stream-of-consciousness dialogue, his condition seemed definitive as all-get-out. My second thought, which I only fully composed during the end credits, and which I apologize for in advance, was that watching Extremely Loud was like watching a movie while an 11-year-old with Asperger’s yammers in your ear for 130 minutes.


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