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items tagged with Jon Hamm

Da Minion Republic: "Minions," "The Gallows," and "Self/less"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2015-07-13 16:34:01

MinionsMINIONS

The previews for the Despicable Me prequel-slash-spin-off Minions made me laugh out loud every single time I saw them ... the first dozen times I saw them. After the second dozen, though, I started to get a little nervous. By then, I had experienced roughly 72 collective minutes of these squat, yellow henchmen with their helium squawks and adorable bulging eyes (or, in some cases, eye), and my initially hearty laughter had been replaced by occasional grins and a smidge of irritation. Granted, I was only seeing three to five minutes of footage over and over, but would directors Kyle Balda’s and Pierre Coffin’s animated outing wind up feeling the same? Would a solid hour and a half of Minions, and Minions, be too much of a good thing? Answer: Not really. And also: Kind of.
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A.I., A.I. ... . Oh!: "Ex Machina"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2015-04-26 22:04:32

Alicia Vikander in Ex MachinaEX MACHINA

If you’re a fellow fan of the high-tech Twilight Zone that is the BBC’s Black Mirror and last year’s Christmas special with Jon Hamm didn’t sate your craving for more, you won’t want to miss the sci-fi creep-out Ex Machina. (If you’re not a fan of Black Mirror, which is currently streaming on Netflix, you clearly haven’t watched it yet. Get cracking.) Like a 105-minute episode of that haunting anthology series, Alex Garland’s quasi-futuristic morality fable boasts a simple premise that grows more complicated and nightmarish as it progresses. Also like a super-sized Black Mirror, the experience leaves you feeling a little shaken and happily freaked out, and kind of antsy to see it again.


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Godz Not Dead: "Godzilla" and "Million Dollar Arm"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2014-05-18 14:16:28

GodzillaGODZILLA

To get the inarguable out of the way, director Gareth Edwards’ new take on Godzilla is an incalculably stronger piece of work than Roland Emmerich’s woebegone 1998 version. Its visual effects are superb, and occasionally stunning. Its supporting cast boasts some obscenely gifted actors. It has been crafted with professionalism, confidence, seriousness of purpose, and obvious respect for its cinematic forebears. And taken overall, I found the experience so deathly boring that in the midst of its incredibly loud, debris-strewn action finale, I actually fell asleep. On two separate occasions.


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Single Wiped Female: “Bridesmaids,” “Jumping the Broom,” and “Priest”
Written By: Mike Schulz
Section: Movies

Category: Reviews

2011-05-16 00:07:46

Ellie Kemper, Rose Byrne, Wendi McLendon-Covey, Maya Rudolph, and Kristen Wiig in BridesmaidsBRIDESMAIDS

You wouldn’t necessarily think that exhaustion and depression would be fertile subjects for a big-screen slapstick – at least, for a big-screen slapstick that didn’t star Paul Giamatti. Yet in director Paul Feig’s buoyant and brainy Bridesmaids, Kristen Wiig plays a sad, discouraged, frequently humiliated maid of honor with such inventiveness and style that she seems to be creating a new comic archetype right before your eyes. Hiding her misery behind a thinly veiled mask of courtesy and good cheer, and letting her anger and resentment spill out in sarcastic asides and messy, chaotic bursts, Wiig’s Annie – like many of the brilliantly talented performer’s most memorable characters – is a singular creation. And so, too, is Bridesmaids, a female-driven Judd Apatow comedy (he’s a co-producer) with the rare distinction of being smarter than it is funny, though it’s still plenty funny.


Read More About Single Wiped Female: “Bridesmaids,” “Jumping The Broom,” And “Priest”...


Cawps and Rawbbuhs: “The Town”
Written By: Mike Schulz
Section: Movies

Category: Reviews

2010-09-19 20:46:00

Ben Affleck and Jeremy Renner in The TownTHE TOWN

Director/co-writer/star Ben Affleck’s crime drama The Town is an enjoyable, frustrating, fascinating contradiction: a movie with a storyline that’s nearly impossible to buy, yet one performed and directed with such assurance and strength that it’s nearly impossible not to buy. You can roll your eyes at the film’s many clichés and contrivances, but you can’t say they’re presented with anything less than full commitment; for a two-hour-plus movie that doesn’t provide even one truly novel character, situation, insight, or plot twist, The Town is remarkably fresh.


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