items tagged with Jonah Hill

NATIONAL TREASURE: BOOK OF SECRETS

National Treasure: Book of Secrets, the follow-up to 2004's globe-trotting-archaeologist adventure, could generously be termed "perfunctory"; it gives (family) audiences exactly the formulaic, Indiana Jones-lite action, romance, and humor they adored in the original. It could also, less generously, be described as "crummy," as returning director Jon Turteltaub ensures that every remedially staged sequence has the same bland, going-through-the-motions tone as the one that came before. (At least its predecessor provided a few jokes.)

SUPERBAD

Superbad, the wildly hilarious, subtly moving, and only-a-little-disappointing comedy about two youths hell-bent on securing booze for (and getting laid at) a high school party, is directed by Greg Mottola, but it's impossible to miss the imprint of its producer, Judd Apatow.

EVAN ALMIGHTY

Thank God for lowered expectations.

I adore Steve Carell, and so I was initially jazzed about Evan Almighty, as director Tom Shadyac's sequel was a vehicle for the comic who handily stole 2003's Bruce Almighty away from hard-working star Jim Carrey. Yet after I saw the trailer, my excitement quickly turned into dread. Not only did the three-minute preview appear to give away every second of the movie - it showed the climactic flood approaching, for Pete's sake! - but the sight of a gray-bearded, robe-attired Carell looking benevolent while surround by all those cu-u-u-ute animals instantly set off my gag reflex; watching brilliant comedians sell out in witless kiddie flicks is to be expected, yet I was praying that it wouldn't happen with Carell. (At least, I was praying that it wouldn't happen again - does anyone else recall the actor's involvement in the 2004 atrocity Sleepover?)

KNOCKED UP

A few hours before I saw the film, a friend asked if I was looking forward to Knocked Up, and as a devoted fan of writer/director Judd Apatow, I responded, only half-jokingly, that I was because "Judd Apatow is going to save movie comedy." After seeing the movie, I'm not sure there was reason to even half-joke: Judd Apatow just might save movie comedy. Over the past 10 years, there are only a handful of TV series that hold a candle to Apatow's Freaks & Greeks and Undeclared, and his directorial debut The 40-Year-Old Virgin is pretty much the current dirty/sweet-comedy standard-bearer; Knocked Up suggests that beyond being a sensational entertainer, Apatow may be that rare comic pioneer who is also (gasp!) a comedic artist.

IDLEWILD

It's pretty clear that a musical doesn't know what it's doing when Ben Vereen and Patti LaBelle appear in supporting roles and the movie doesn't let them sing. But writer/director Bryan Barber's Idlewild isn't all that concerned with being a musical. It's concerned with being a music video. This tune-laden, period gangster/show-biz drama - fronted by OutKast's Andre Benjamin and Antwan A. Patton (a.k.a. Andre 3000 and Big Boi) - is all touches and visual motifs, and while it's earnest, it's also devoid of emotional connection; we admire the pretty images but don't necessarily feel anything for it. Idlewild is a fascinating failure. It's a movie you really want to like - especially if you're a fan of musicals - but one that only comes alive in fits and spurts.