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items tagged with Jonathan Rhys Meyers

Labored Day Weekend: "Closed Circuit," "Instructions Not Included," "The Mortal Instruments: City of Bones," "One Direction: This Is Us," and "Getaway"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2013-09-02 05:01:17

Eric Bana and Ciaran Hinds in Closed CircuitIt’s a commonly held belief, mostly because it’s generally true, that no worthwhile movies open on either the last weekend of August or Labor Day weekend. So I hope I wasn’t alone, among reviewers, in feeling trepidation about my most recent cineplex duties, given that this year, in a calendar rarity, those weekends were one and the same. (Would the films be twice as bad as usual? Would there be twice as many bad films to contend with?) But I’m pleased, and somewhat shocked, to report that my latest movie-going experiences weren’t relentlessly grim. They were just relentlessly weird, especially considering I had the best time at the weekend’s worst picture, and the lineup’s most professionally rendered offering made me fall dead asleep.


Read More About Labored Day Weekend: "Closed Circuit," "Instructions Not Included," "The Mortal Instruments: City Of Bones," "One Direction: This Is Us," And "Getaway"...


Bridges Over Troubled Waters: “Crazy Heart,” “An Education,” “From Paris with Love,” and “Australia: Land Beyond Time”
Written By: Mike Schulz
Section: Movies

Category: Reviews

2010-02-08 14:47:00

Jeff Bridges and Maggie Gyllenhaal in Crazy HeartCRAZY HEART

Writer/director Scott Cooper's Crazy Heart is a character drama of gentle, lulling rhythms -- so lulling, in truth, that I momentarily dozed off halfway through the film. But I'm pretty sure that I was smiling as I slept, because the steady, deliberate pacing feels just right for the tale Cooper's telling, and because star Jeff Bridges is so masterfully assured as down-and-out country singer Bad Blake that he leaves you in a state of utter, unadulterated happiness and calm. (The actor might almost be saying, "Go ahead and nap. I'll be here when you wake up.") There may have been more exciting screen performances amidst 2009's releases, but possibly none as thoughtful, lived-in, and moving as Bridges'; in his hands, a role that easily could've been a one-note conceit is nothing short of symphonic.


Read More About Bridges Over Troubled Waters: “Crazy Heart,” “An Education,” “From Paris With Love,” And “Australia: Land Beyond Time”...


Thanksgiving Leftovers: "August Rush," "This Christmas," "Hitman," and "Awake"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2007-12-05 08:30:51

Jonathan Rhys Meyers and Freddie Highmore in August RushAUGUST RUSH

There's a scene in the tear-jerker August Rush in which the titular musical prodigy (Freddie Highmore) and a friendly Irish rocker (Jonathan Rhys Meyers) - unaware that they're father and son - engage in a happy bit of dueling guitars in Central Park, their matching grins widening as the improvised strumming reaches its climax. It's a great moment, and I mention it because it's the only one in the film that I didn't find excruciating.


Read More About Thanksgiving Leftovers: "August Rush," "This Christmas," "Hitman," And "Awake"...


Allentown: "Scoop," "The Ant Bully," and "Monster House"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2006-08-02 05:03:06

Scarlett Johansson and Woody Allen in ScoopSCOOP

If you're not a Woody Allen fan, it's easy to see how you could be annoyed by his latest comedy, Scoop.


Read More About Allentown: "Scoop," "The Ant Bully," And "Monster House"...


Cruise in for a Bruisin’: "Mission: Impossible III"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2006-05-10 09:00:17

Tom Cruise and Keri Russell in Mission: Impossible IIIMISSION: IMPOSSIBLE III

Call it envy, call it sour grapes, call it schadenfreude, but I’ll admit to hugely enjoying the public meltdown of Tom Cruise, mostly because it’s finally making him interesting. Cruise has always been too bland to be true. He’s moderately proficient, and in several of his films – most recently Collateral and Minority Report – he’s even been impressive. But he has too few resources to draw upon as a performer. It would be hard to accuse Cruise of slouching on the job – he’s determined and earnest, and you can sense him trying to suggest interior life. But his line readings have no surprise and his on-screen performances rarely build; whenever a new scene begins, Cruise appears to have forgotten everything his character experienced in his previous scenes. He can’t seem to play more than one emotion, or one thought, at a time.


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