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items tagged with Judy Greer

Johnny B. Bad: "Black Mass" and "Grandma"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2015-09-20 01:40:19

Johnny Depp in Black MassBLACK MASS

There’s a scene in the gangster thriller Black Mass that should sound bells of recognition for all fans of the genre. In it, legendary crime lord James “Whitey” Bulger (Johnny Depp) and some friends are enjoying a dinner prepared by one of Bulger’s associates: FBI agent John Morris (David Harbour). Bulger compliments Morris on their steaks and asks what seasoning was used, to which the agent replies that it’s a secret family recipe whose ingredients, upon further pressing, he genially reveals. That’s when Bulger seems to snap.

His smile curls into a frown, his eyes go deader than usual, and he calmly inquires of Morris that if the agent is willing to share this “family secret” so quickly, what other secrets – perhaps secrets about Bulger – might he have shared? During the unbearably thick silence that follows, Morris and his tablemates appear nearly frozen with panic. Bulger, meanwhile, stares and stares, and we in the audience prepare for an inevitable, horrific burst of violence. And then ... Bulger laughs. A lot. Exclaiming “You should see your face!”, he insists he was just busting Morris’ balls. Very slowly, the others begin to smile, and then they, too, laugh. And as this sensationally tense sequence ends on a note of cautious cheer, it’s impossible to ignore the suggestion of what we just witnessed: GoodFellas with Johnny Depp in the Joe Pesci role. All that was missing was the psychotic query “I’m funny how?!"


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Dino Might: "Jurassic World" and "D-Day: Normandy 1944"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2015-06-14 16:46:30

Chris Pratt and Bryce Dallas Howard in Jurassic WorldJURASSIC WORLD

Hopefully it won’t happen for many, many years. But when Steven Spielberg eventually passes away, will any of us be allowed to notice?


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"Women & Children" First: "Men, Women & Children," "The Book of Life," "Meet the Mormons," "The Skeleton Twins," and "Venus in Fur"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2014-10-19 20:56:45

Rosemarie DeWitt and Adam Sandler in Men, Women & ChildrenMEN, WOMEN & CHILDREN

The single most definitive shot in director/co-writer Jason Reitman’s “Ee-e-eek! The Internet!” melodrama Men, Women & Children is one from the previews, in which Ansel Elgort trudges toward dozens of fellow high-schoolers, all of whom are so fixated on their phones that they can’t see anything, or anyone, directly in front of them.


Read More About "Women & Children" First: "Men, Women & Children," "The Book Of Life," "Meet The Mormons," "The Skeleton Twins," And "Venus In Fur"...


Optimus Primate: "Dawn of the Planet of the Apes"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2014-07-13 03:29:52

Andy Serkis in Dawn of the Planet of the ApesDAWN OF THE PLANET OF THE APES

Following a brief, artful prelude introducing us to the film’s post-viral, post-apocalyptic setting, Dawn of the Planet of the Apes opens with an extreme closeup on the eyes of Caesar, the highly evolved chimpanzee memorably portrayed (with CGI enhancement) by Andy Serkis in 2011’s Rise of the Planet of the Apes. An extreme closeup on Caesar’s eyes will also be the final image in director Matt Reeves’ sequel, yet the differences between these cinematic bookends are as wide and varied as the differences between Rise, a half-great, half-clumsy hit, and Dawn, which is, hands down, the most exciting, resonant, and humane Hollywood blockbuster of the summer, if not the millennium.


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Period Piece: "Carrie," "The Fifth Estate," and "Escape Plan"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2013-10-20 22:31:31

Chloe Grace Moretz in CarrieCARRIE

(Author’s note: Spoilers will abound. Given that the movie under consideration is an oftentimes word-for-word updating of a 37-year-old work, I hope I’ll be forgiven for them.)

As remakes of beloved genre classics go, I suppose there’s little point in being bothered by the new Carrie. Director Kimberly Peirce’s outing, after all, is easy to sit through, smartly staged, generally well-acted, and, in most regards, incredibly faithful to Brian De Palma’s 1976 original (which was, itself, reasonably faithful to Stephen King’s debut novel of 1974). The CGI effects are pretty weak, and the movie isn’t even slightly scary, and considering that nearly all sentient beings know what happens to poor Carrie White at the prom – with the movie’s entire advertising campaign based on post-prom imagery – there’s almost nothing in the way of storyline surprise, but whatever. It’s fine.


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