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items tagged with Julia Roberts

Holiday Fare a Depressing Lot: "Peter Pan," "Mona Lisa Smile," and "Cheaper by the Dozen"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2004-01-14 00:00:00

Are mainstream movies, in general, becoming more and more stale? The question arose a couple of weeks ago when an acquaintance asked if I’d seen anything good recently. After a pause I was finally able to reply, “Uh ... Return of the King?”

“Well, of course that. Anything since then?”


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"Confessions" Offers a Funny, Twisted World: "Confessions of a Dangerous Mind," "Kangaroo Jack," "A Guy Thing," and "National Security"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2003-01-28 00:00:00

George Clooney and Sam Rockwell in Confessions of a Dangerous MindCONFESSIONS OF A DANGEROUS MIND

George Clooney’s directorial debut, Confessions of a Dangerous Mind, plays like the funny, ironic companion piece to A Beautiful Mind, and the new film shrewdly, and hysterically, plays off your knowledge of Ron Howard’s Oscar-winning opus.


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"The Hours" Among the Year’s Best: Also, "Narc" and "Just Married"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2003-01-22 00:00:00

Meryl Streep and Ed Harris in The HoursTHE HOURS

Stephen Daldry’s The Hours is so meticulously crafted, so assured in its conception, and so insistent on its themes and motifs that it’s bound to drive a lot of people bananas.


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"Solaris" Not for Everybody, but Worth the Journey: Also, "Treasure Planet" and "Secretary"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2002-12-04 00:00:00

George Clooney in SolarisSOLARIS

In the interest of full journalistic disclosure, let me preface this review of Steven Soderbergh’s Solaris by admitting that, in the first 15 minutes, I briefly nodded off.


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"Punch-Drunk Love" Is a Sandler Movie for Nobody: Also, "Tuck Everlasting," "Full Frontal," and "Igby Goes Down"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2002-10-30 00:00:00

Emily Watson and Adam Sandler in Punch-Drunk LovePUNCH-DRUNK LOVE

Punch-Drunk Love is exactly what its writer-director, Paul Thomas Anderson, claims it to be – “an art-house Adam Sandler movie” – yet I can’t be alone in thinking: What’s the point of that? Is Anderson merely trying to show up the hacks who’ve directed Sandler in other films? (Again: What’s the point?) All throughout, the movie is beautifully filmed, exquisitely composed, and filled with Anderson’s uncanny knack for stretching a scene out longer than it should humanly run and making you hang on every delirious second of it.


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