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items tagged with Julianne Moore

I'd Like to Thump the Academy … : Notes on the 2015 Academy Awards Telecast
Written By: Mike Schulz
Section: Movies

Category: Feature Stories

2015-02-23 22:00:33

producer/writer/director Alejandro G. Iñárritu and team members of Best Picture Birdman or (The Unexpected Virtue of Ignorance)Neil Patrick Harris, at the tail end of last night's Academy Awards ceremony, climaxed his hosting duties with the resolution to a magic trick he'd set up earlier in the evening. Much, much earlier in the evening.


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Forgotten, but Not Gone: "Still Alice" and "The Last Five Years"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2015-02-23 15:23:00

Kristen Stewart and Julianne Moore in Still AliceSTILL ALICE

In Still Alice, newly minted Oscar winner Julianne Moore plays Alice Howland, a 50-year-old recently diagnosed with a hereditary form of Alzheimer’s. At one point in the movie, after a series of not-bad days and pretty-awful ones, Alice and her family attend an off-Broadway production of The Three Sisters starring the youngest Howland daughter, Lydia (Kristen Stewart). We see Lydia enact Chekhov’s dialogue with appropriate, impressive anxiety and fortitude, and our view of Alice in the audience suggests that she sees it, too. After the play ends, the family goes backstage to congratulate Lydia, and Alice, with carefully chosen words, praises her daughter for her complex rendering of Chekhovian heart and humanity. Lydia smiles and blushes; this might be the most interest her mother has ever shown in her acting career. Then Alice asks what play Lydia is doing next, and whether she’ll be sticking around New York much longer. And in the reaction shot that follows, the heartbreak in Lydia’s eyes verifies what we immediately suspect: Alice, at this moment, has no idea who Lydia is.


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Blow It Out Uranus: "Jupiter Ascending," "Seventh Son," "The SpongeBob Movie: Sponge Out of Water," and "Two Days, One Night"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2015-02-09 00:20:05

Mila Kunis in Jupiter AscendingJUPITER ASCENDING

After months of previews in the wake of its delayed release, the big-budget sci-fi spectacle Jupiter Ascending – originally scheduled for summer 2014 – finally landed this past weekend. And with its opening, a question can now be asked: Was there any point at which Warner Bros. executives seriously considered pulling the plug on writers/directors/siblings Andy and Lana Wachowski’s epic stinker? Maybe when Channing Tatum was cast as a human/wolf hybrid with a blond goatee and pointy ears? Or when an incensed Russian beat the hell out of his son with a throw pillow? Or when, for the performer’s first scene, the Wachowskis handed Mila Kunis an all-too-symbolic toilet brush?


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Compound Fractured: "The Hunger Games: Mockingjay, Part 1"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2014-11-21 19:02:06

Jennifer Lawrence in The Hunger Games: Mockingjay, Part ITHE HUNGER GAMES: MOCKINGJAY, PART 1

Like its immediate predecessor Catching Fire, director Francis Lawrence’s The Hunger Games: Mockingjay, Part 1 is reasonably gripping and rarely dull, although its presentation – as was bound to happen – does make the movie feel less like a satisfying two-hour entertainment than the not-bad first half of a much better four-hour entertainment. (Or five-hour entertainment, depending on how plushly Lawrence and Lionsgate pad the goodbye in next year’s Part 2.) But I was really put off by one moment in the film, which found Woody Harrelson’s Haymitch complaining that the makeup worn by Jennifer Lawrence’s Katniss needed to be scrubbed off, as it was making the young warrior look 35. The line was amusing and Haymitch wasn’t wrong, but why wasn’t anyone bothered that the rest of Mockingjay 1 was making her look 13?


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Airport '14: "Non-Stop" and "Son of God"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2014-03-01 19:02:44

Liam Neeson in Non-StopNON-STOP

Every Academy Awards season, the idea of adding a Best Casting category appears to gain some traction among film journalists and professionals. (This past autumn saw the limited release of a documentary – Tom Donahue’s Casting by – devoted to the subject, and Woody Allen, whom one would’ve thought indifferent to the Oscars at best, even wrote an open letter to the Hollywood Reporter in support of a casting trophy.) I’m personally fine with restricting the ceremony to the two dozen categories we do have, but if such recognition were to be included, voters could do worse than to consider Amanda Mackey and Cathy Sandrich Galfond – casting directors for the enjoyably ludicrous Non-Stop – for the prize. To be sure, it doesn’t take much wit to suggest that Liam Neeson play a grieving alcoholic with a bad temper and a gun. But casting, as two beleaguered flight attendants, 12 Years a Slave’s abused slave Patsey opposite Downton Abbey’s rigid Lady Mary? Now that’s witty.


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