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items tagged with Julie Delpy

Walking the Walk, Talking the Talk: "Before Midnight"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2013-06-17 11:11:18

Julie Delpy and Ethan Hawke in Before MidnightBEFORE MIDNIGHT

Richard Linklater’s Before Midnight – the third and possibly final installment in the director’s ongoing screen romance that began with 1995’s Before Sunrise and continued with 2004’s Before Sunset – climaxes with a half-hour-long fight. You could, of course, say the same about most every superhero or Transformers picture released nowadays. The big difference, however, is that this particular battle royale takes place in the confines of one room and involves all of two characters. The bigger difference, speaking personally, is that this is one 30-minute screen fight that I actually wished would go on forever – though an eternal loop of the movie’s first 70 minutes wouldn’t have been unwelcome, either.


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Billion Airs: "The Hoax," "Disturbia," "Aqua Teen Hunger Force Colon Movie Film for Theaters," and "Are We Done Yet?"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2007-04-18 08:13:53

Richard Gere and Julie Delpy in The HoaxTHE HOAX

Offhand, I can think of no performer less well-suited to play a desperate, talkative, Jewish novelist than Richard Gere. Yet in Lasse Hallström's The Hoax, Gere is asked to portray exactly that - real-life author Clifford Irving, who, in 1971, received a $1-million advance for concocting a fictional autobiography of reclusive billionaire Howard Hughes - and the perceived miscasting turns out to be the movie's subtlest masterstroke.


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"Be Cool" a Maddening Waste of Time and Talent: Also, "The Jacket" and "Cursed"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2005-03-08 00:00:00

Uma Thurman and John Travolta in Be CoolBE COOL

Granted, I’ve missed a few of the year’s more high-profile flicks – Are We There Yet?, White Noise, Son of the Mask, that thing with the Heffalumps – but, in general, the releases I have viewed have been so crummy as to be some kind of joke. (The Citizen Kane of the group would actually be the remake of Assault on Precinct 13, which should tell you everything you need to know about Hollywood’s output in early 2005.) But, with the arrival of Be Cool, the joke is no longer funny. Be Cool is worse than Elektra. Hell, it’s worse than Alone in the Dark. I literally can’t remember the last time I left a screening feeling so angered by the waste of time and talent onscreen; it’s the sort of smug, lazy Bad Movie that puts you in a foul mood for the rest of the day.


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2005's Alternative Oscars: The Shoulda-Been Contenders
Written By: Mike Schulz
Section: Movies

Category: Feature Stories

2005-02-16 00:00:00
After the announcement of last year’s Oscar nominations, in which the Academy made almost shockingly inspired choices across the board, this year’s slate of nominees was bound to be a more predictable lot; barring a few minor surprises – the director and screenplay nods for Mike Leigh’s Vera Drake (still unseen by me) chief among them – voters opted for traditional, safe choices in 2004, especially among the squarer-than-usual Best Picture contenders.
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2004 in Movies
Written By: Mike Schulz
Section: Movies

Category: Feature Stories

2005-01-12 00:00:00
Was I feeling especially sensitive in 2004, or were the year’s most memorable cinematic works, coincidentally, the most unabashedly romantic ones? It could certainly be me – the only (fictional) televised event that moved me to tears was the unlikely but enormously satisfying kiss between Martin Freeman’s Tim and Lucy Davis’ Dawn on The Office Special.
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