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items tagged with Kate Hudson

"Hostel" Environment: "Hostel: Part II" and "Fantastic Four: Rise of the Silver Surfer"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2007-06-20 08:27:46

Richard Burgi in Hostel: Part IIHOSTEL: PART II

(Spoiler Alert: If it matters, details of Hostel: Part II's plot will - sorry - spill out.)

Upon returning to the office after seeing Hostel: Part II, my editor asked me what I thought of Eli Roth's horror sequel, and my immediate reply was, "Oh, it's crap." There was no anger or disappointment in my tone; having intensely disliked the first Hostel, I expected its follow-up to be awful, and it was awful. Yet four days after viewing the movie, I still can't get it out of my head, and I'm forced to admit that while my initial, gut response may have been honest, it wasn't entirely fair.


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Stunted Adolescents: "Little Man" and "You, Me & Dupree"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2006-07-19 04:20:12

Marlon Wayans in Little ManLITTLE MAN and YOU, ME, & DUPREE

Much as I try to prepare for every new cinematic experience with an open mind, sometimes it simply can't be done, as when the advertisements for a new release proudly proclaim: "From the creators of White Chicks!" So it was this past weekend, when Little Man, directed and co-written by White Chicks auteur Keenen Ivory Wayans, debuted. I'm not sure I can adequately express just how much I was not looking forward to this comedic opus; not only did I not laugh once at the grotesque White Chicks (nor, for that matter, at Wayans' Scary Movie and its first sequel), but as I recall, through the entire course of its running length, I actively frowned.
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Almost Heinous: "Elizabethtown" and "Two for the Money"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2005-10-19 00:00:00

Kirsten Dunst and Orlando Bloom in ElizabethtownELIZABETHTOWN

After a reportedly disastrous screening at the Toronto Film Festival in September, Cameron Crowe trimmed some 18 minutes from his latest project, Elizabethtown, before its national release on October 14. Of course, I never saw Crowe’s Toronto cut, so I can’t venture a guess as to what scenes wound up getting the boot. But having seen the finished project, I’m thinking that the loss of those 18 minutes was in no way satisfactory – to be honest, I’m not sure which scenes Crowe should have left in. For Elizabethtown is, in almost every respect, shockingly weak, so tonally incorrect and irrationally pleased with itself that it left me a little dazed. How could Crowe, who has made such wonderfully humane, marvelously detailed comedies, have gone so far afield?


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Rob Schneider’s Penis Envy: "Deuce Bigalow: European Gigolo," "The Wild Parrots of Telegraph Hill," and "The Sketeton Key"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2005-08-17 00:00:00

Rob Schneider and Eddie Griffin in Deuce Bigalow: European GigoloDEUCE BIGALOW: EUROPEAN GIGOLO

Some comedies are so colossally, ridiculously unfunny that you’re left with no choice but to stare at them in abject bewilderment. To the surprise of probably no one, Deuce Bigalow: European Gigolo is such a comedy. Yet the movie – and I hesitate to call it one – is actually far more intriguing than “colossally, ridiculously unfunny” would indicate.


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Latest Disaster Flick a Moronic Mess: "The Day After Tomorrow," "Raising Helen," and "This Old Cub"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2004-06-09 00:00:00

The Day After TomorrowTHE DAY AFTER TOMORROW

Despite all the hullabaloo about the film re-opening vociferous debate about global warming and its possible effects, Roland Emmerich’s disaster saga The Day After Tomorrow winds up begging exactly one question: Just how much stupidity are mass audiences willing to accept in their summer blockbusters? In any disaster movie, rolling your eyes at the ridiculous onscreen events comes with the territory, but the enjoyable ones temper that reaction with speed and laughs; Emmerich’s cheeky, entertaining Independence Day managed the feat of making the end of the world look like an absolute hoot, and that film, within its sci-fi format, is probably the most sheerly pleasurable disaster flick of the past 20 years.


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