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items tagged with Kathy Schutter

Sieg Heilarious!: "The Producers," at the Prospect Park Auditorium through April 5
Written By: Mike Schulz
Section: Theatre

Category: Reviews

2009-03-30 12:00:00

Erika Thomas, Nathan Bates, and Bruce Carmen in The ProducersI'm sure there are those of you who don't think Mel Brooks' musical comedy The Producers is all that enjoyable, especially if your only acquaintance with the show is 2005's film version. But even if you felt burned by that woebegone adaptation, I urge you to check out Quad City Music Guild's current take on Brooks' modern classic, so you can see just how sublimely hysterical this material can actually be; I'm guessing that the only audiences who could possibly leave director Kevin Pieper's glorious show-biz satire in a bad mood are the easily offended and the abjectly humorless. (And you know who you are, because upon reading that, you instinctively presumed I was referring to you.)


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I’d Walk a Million Miles for One of Your Smiles: "Thoroughly Modern Millie" at Quad City Music Guild
Written By: Mike Schulz
Section: Theatre

Category: Reviews

2007-06-13 08:42:20

Melissa Anderson Clark At Thursday's preview performance of Quad City Music Guild's Thoroughly Modern Millie, I seated myself in the third-to-last row of the Prospect Park theatre, yet even at that distance, I found myself distracted by an intense, nearly blinding illumination shining from center stage. It turns out, though, that this wasn't any kind of technical glitch; it was just Melissa Anderson Clark grinning at us.


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Ghostlight’s "Will Rogers Follies" a Spirited Mess
Written By: Mike Schulz
Section: Theatre

Category: Reviews

2005-07-27 00:00:00
Overreaching in the arts is often a good thing. Take, for example, The Will Rogers Follies, the latest presentation from Ghostlight Theatre, Inc. This is a hugely ambitious musical comedy. Not only does it aim to reproduce the experience of the Ziegfeld Follies stage shows in all their splendor and extravagance, but it’s meta-theatre as well. The production is narrated by Rogers (Shane Partlow), who freely admits to being dead for decades, yet Rogers also converses onstage with the actual Ziegfeld (voiced by the show’s director, Steve Flanigin), and other performers drop in and out of character to comment on the action as it progresses. Rogers also receives occasional visits from a long-dead pilot (Dr. Walter E. Neiswanger), while we in the audience are treated to musical contributions from others who are, similarly, deceased.
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