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items tagged with Keenen Ivory Wayans

Spidey Senseless: "Spider-Man 3"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2007-05-09 08:17:12
Spider-Man 3SPIDER-MAN 3

Spider-Man 3 runs nearly 140 minutes, but it would be difficult to argue that it doesn't require that length. In Sam Raimi's third installment of the comic-book franchise, our crime-fighting web-slinger (Tobey Maguire) has not one, not two, but three über-villains to contend with: the hulking, misunderstood Sandman (Thomas Haden Church); the globular space infestation Venom (played, in human form, by Topher Grace); and former best friend Harry Osborn (James Franco), son of original Spider-Man nemesis the Green Goblin, who's now eager to take on the family business.


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Stunted Adolescents: "Little Man" and "You, Me & Dupree"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2006-07-19 04:20:12

Marlon Wayans in Little ManLITTLE MAN and YOU, ME, & DUPREE

Much as I try to prepare for every new cinematic experience with an open mind, sometimes it simply can't be done, as when the advertisements for a new release proudly proclaim: "From the creators of White Chicks!" So it was this past weekend, when Little Man, directed and co-written by White Chicks auteur Keenen Ivory Wayans, debuted. I'm not sure I can adequately express just how much I was not looking forward to this comedic opus; not only did I not laugh once at the grotesque White Chicks (nor, for that matter, at Wayans' Scary Movie and its first sequel), but as I recall, through the entire course of its running length, I actively frowned.
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"Spider-Man 2" Leaves Fan Wanting More: Also, "White Chicks" and "Two Brothers"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2004-07-07 00:00:00

Tobey Maguire in Spider-Man 2SPIDER-MAN 2

Spider-Man 2 might not be, as many critics have concluded, the greatest comic-book movie ever made, but it’s entirely possible that Sam Raimi is the greatest director the genre has ever had.


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"Scary Movie 3" an Improvement, but Not Clever Enough: Also, "Runaway Jury" and "Radio"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2003-10-29 00:00:00

Anna Faris and Drew Mikusa in Scary Movie 3SCARY MOVIE 3

With Scary Movie 3, the assignment of directing has been passed from Keenen Ivory Wayans to Airplane!’s David Zucker, which is a big step forward right there. (Zucker isn’t much of a director, either, but at least he has ideas on how to shape a scene, and is actually pretty adept at making his film parodies look like the films they’re parodying.) Plus, any time Zucker and company are satirizing the outrageous pomposity of M. Night Shymalan, whose Signs receives – and deserves – particularly harsh treatment here, Scary Movie 3 is everything you want a movie spoof to be: smart, funny, and more than a little mean. (And heartening – until now, I thought I was the only one who detested Shymalan’s “Hitchcockian” appearance as the vet who accidentally kills Mel Gibson’s wife in Signs.) The wide-eyed, appealing Anna Faris returns as the lead, ably satirizing Naomi Watts’ reporter from The Ring, and comic actors such as Charlie Sheen, Jeremy Piven, Queen Latifah, Camryn Manheim, and legendary spoofster Leslie Nielsen all score some laughs. So why is Scary Movie 3 still so disappointing?


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"Baby Boy" Shows Singleton All Grown Up: Also, "crazy/beautiful" and "Scary Movie 2"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2001-07-11 00:00:00

Ving Rhames and Tyrese Gibson in Baby BoyBABY BOY

It’s a small movie, but the scope of John Singleton’s Baby Boy is enormous; the film is nothing less than a critique of young African-American males, a warts-and-all look at the infantilization of those who consider themselves true men. Singleton received great acclaim a decade ago for his writing/directing debut, Boyz N the Hood, and while his take on Shaft last summer was an enjoyably over-the-top romp, Baby Boy is his first work to make good on the promise he showed in 1991: The movie is superb. Where nearly every scene in Boyz N the Hood was filled with dread and the threat of violence, the images in Baby Boy are steeped in sadness and resignation, with exquisite moments of joy, fear, and strength throughout.


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