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items tagged with Kelsey Andres

Commie Dearest: "Red Herring," at the Timber Lake Playhouse through July 24
Written By: Mike Schulz
Section: Theatre

Category: Reviews

2011-07-18 12:00:00

Katie Wesler and Andrew Harth in Red HerringWhen attending a detective spoof with the title Red Herring, you probably shouldn’t expect its storyline(s) to hold together in a way that makes much sense, and Michael Hollinger’s farcical noir seems particularly all-over-the-map; somehow, in 130 minutes, the play’s author squeezes in adultery, bigamy, murder, treason, neutron-bomb testing, the McCarthy hearings, a show-tune-loving Soviet, and a top-secret microfilm stashed in a block of Velveeta.


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If My Friends Could See It Now: "Sweet Charity," at the Timber Lake Playhouse through July 10
Written By: Mike Schulz
Section: Theatre

Category: Reviews

2011-07-05 12:00:00

Sydney Hoyle, Sophie Brown, Daryn Harrell, Julia Mitchell, Kelsey Andres, Katie Wesler, and Erica Vlahinos in Sweet CharityThe Timber Lake Playhouse’s current production of Sweet Charity features the single most electrifying, exhilarating dance number I’ve ever seen on a stage. I’m well aware of what a sweeping and potentially exaggerated generalization that statement is, and almost hesitate in making it, because it’s the type of effusive praise that can easily make theatre-goers (to say nothing of theatre participants) roll their eyes and say, “Oh, come on.” But I’ll say it again: Sweet Charity features the single most electrifying, exhilarating dance number I’ve ever seen on a stage. And I’m betting that fellow patrons at Thursday’s performance might easily feel the same way.


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Up in the Air: “Flight of the Lawnchair Man,” at the Timber Lake Playhouse through June 26
Written By: Mike Schulz
Section: Theatre

Category: Reviews

2011-06-20 12:00:00

Grant Drager and Sophie Brown in Flight of the Lawnchair ManPeppy, cheeky, and somewhat unsatisfying – though in ways that are rarely the fault of its current Timber Lake Playhouse presentation – Flight of the Lawnchair Man boasts a friendly spirit, a number of witty and weird diversions, and a brisk running time, clocking in (with the intermission) at a mere 105 minutes. Yet for all of its strengths, and unlike its determined hero, this musical comedy never really takes off. Director Chuck Smith’s production is ingeniously designed and energetically performed, but the show itself is a little bit You’re a Good Man, Charlie Brown, a little bit The Wedding Singer, and a little bit Bat Boy, and about as stylistically awkward as that description implies.


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