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items tagged with Kevin Hart

Fasten Your Seat Belts. It’s Going to Be a Bumpy Ride.: "Ride Along 2" and "13 Hours: The Secret Soldiers of the Benghazi"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2016-01-16 14:36:14

Kevin Hart and Ice Cube in Ride Along 2RIDE ALONG 2

It’s impossible not to notice that for roughly 75 percent of Ride Along 2, even when he’s indoors, Ice Cube is wearing dark sunglasses. I’m reasonably sure it’s because he was asleep. What other excuse could there be for Cube, as one of this action comedy’s producers, allowing the witless slapstick of Kevin Hart being accosted by a CGI alligator? Or the moment in which a recently shot man sits up, and panicky Hart is convinced he’s a zombie? Or the interminable foot chase in Miami underscored by (wait for it ... ) Miami Sound Machine’s “Conga”? I mean, really – “Conga”? Still?! It’s been more than 30 years since that single was released! I’m not laying all the blame for the song’s clichéd inclusion at Cube’s feet, but surely the rap legend could’ve put one of those feet down with a practiced “Aw, hell no!” and demanded wittier musical accompaniment.
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Lay It Forward: "It Follows," "Get Hard," and "Home"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2015-03-28 22:22:08

Jake Weary and Maika Monroe in It FollowsIT FOLLOWS

Any horror fan who came of age with Halloween, Friday the 13th, and their many sequels knows the ironclad rule regarding imperiled teens: If they have sex, they’re gonna die. So maybe you’ll have to be of a certain generation – or have an affinity for a certain breed of shocker – to get the most from It Follows, writer/director David Robert Mitchell’s intensely witty, pretty damned scary tale of a young woman diagnosed with a literally murderous, and ambulatory, STD.


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Tickler, Failure, Soldiers, Spies – Notes on a Quadruple Feature: "Blackhat," "Paddington," "The Wedding Ringer," and "American Sniper"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2015-01-18 01:22:06

Wei Tang and Chris Hemsworth in BlackhatFriday, January 16, 10:05 a.m.-ish: My first and final quadruple feature of 2015 (yeah, right) begins with the Michael Mann thriller Blackhat, which opens with the camera racing within a computer module and deeper and deeper into the internal workings of binary code, like a burrowing reverse of Robert Zemeckis’ introductory shot in Contact. At its climax, we discover that we’ve been watching the process by which a faraway cyber-terrorist sets off an explosion at a Chinese nuclear facility, and it’s a juicy, unsettling prelude – so good, and so promising, that it probably takes longer than it should to realize the movie is goofy as hell.


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Unclean and Sober: "Top Five," "Wild," and "Night at the Museum: Secret of the Tomb"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2014-12-21 22:02:50

Rosario Dawson and Chris Rock in Top FiveTOP FIVE

Chris Rock is on-record as being a fan of Woody Allen movies and Richard Linklater’s Before Sunrise/Sunset/Midnight trilogy, and the comedian’s funny and thoughtful Top Five – Rock’s first film as a writer/director since 2007’s I Think I Love My Wife – is like a 100-minute blend of those influences. Then again, Allen, and certainly Linklater, would be much less likely to cap a scene with the image of a naked man getting a Tabasco-soaked tampon shoved up his ass.


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Under the Streetlamp: "Jersey Boys" and "Think Like a Man Too"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2014-06-22 20:41:03

Vincent Piazza, Erich Bergen, John Llyod Young, and Michael Lomenda in Jersey BoysJERSEY BOYS

Jersey Boys, Clint Eastwood’s film version of 2005’s still-running Broadway smash, is a big, bizarre, cornball, clever, terrible, wonderful movie. It’s hard to fathom what, beyond its inherent appeal, made Eastwood want to take on the project; this bio-musical about 1960s pop sensations the Four Seasons seems so clearly designed for Scorsese that’s it’s almost some kind of joke that it instead wound up in the hands of a man who, stylistically and temperamentally, is Scorsese’s polar opposite. Yet somehow, astonishingly, the damned thing works. Its parts may be stronger than the whole – at least if you’re allowed to cherry-pick the parts – but the film is affecting and entertaining and alive, and exudes more sheer joy than any other title on Eastwood’s 43-year directing résumé.


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