items tagged with Kimberly Furness

It's been more than 20 years since I read Harry Allard's series of "Miss Nelson" children's books, but it's hard to forget Viola Swamp, "the meanest substitute teacher in the whole world." Miss Nelson Has a Field Day, currently playing at the Circa '21 Dinner Playhouse, features Swamp (Liz J. Millea) as the no-nonsense alter-ego of Miss Nelson, the kindly math teacher at Horace B. Smedley Elementary School. The show is as funny as I remember the books being, and judging from the laughter that was constantly erupting from the audience of mostly elementary-school students at Friday's matinee performance, I wasn't the only one who thought so.

The more performances I see as a reviewer, the more I ponder and study stagecraft. With many productions, I take away a concept or idea as to what makes a performance good, whether at the individual level or for an entire production. With the Curtainbox Theatre Company's Fool for Love, it's a word: abandon.

Back in 2006, when I composed my first list of a dozen theatre "Essentials" - theatrical talents whose gifts were employed in a number of area productions - I couldn't have imagined that I'd find a dozen new names to add year after year. Well, as 2009 draws to a close, we can officially add another " ... after year" to that sentence.

Five Inspiring Ensembles

Powerful lead performances and scene-stealing supporting turns are always welcome; one- and two-character shows can be a gas. But for my money, nothing quite beats the theatrical pleasure of watching a tightly knit ensemble in action, and the following five productions ensured that this pleasure was a continual one.

The story's kind of lame and the songs are kind of blah. But all told, the Circa '21 Dinner Playhouse's family musical Frosty's Magic Hat is a winning, rambunctious treat, the sort of unapologetically silly good time that can cause adults to laugh with even greater vigor and frequency than their pre-teen chaperones.

Truth be told, playwright Adam Bock's Swimming in the Shallows - currently being produced by New Ground Theatre - is a bit of a mess. If, however, a show is fortunate enough to feature Pat Flaherty and Susan Perrin-Sallak as a bickering married couple, Eddie Staver III performing an underwater pas de deux in scuba gear, and a tuxedo-clad shark dancing the Macarena, it doesn't much matter if the script falls apart.

The Circa '21 Dinner Playhouse's current family musical, Pinkalicious, is as lightweight and sweet as cotton candy, and about as nourishing; it gives you a friendly sugar rush and all but evaporates on contact. Yet hidden within the show's pleasant, amiable presentation are moments of delightfully loopy comic invention, and throwaway bits so surprising and bubbly and odd that the production lingers in your head far longer than you'd expect it to. It's cotton candy, all right, but it's cotton candy filled with Pop Rocks.

I'm not sure where Barbara Park got the inspiration for her literary heroine Junie B. Jones, the adorable kindergarten heroine/hellion of the author's series of wildly popular children's books. But after seeing the Circa '21 Dinner Playhouse's presentation of Junie B. Jones & a Little Monkey Business, I have a pretty firm theory: Park swiped the characterization from kindergarten-era home movies taken of actress Sunshine Ramsey.

Friday's sensational opening-night presentation of Ring of Fire, the Johnny Cash tribute currently playing at the Circa '21 Dinner Playhouse, was the beneficiary of an awful lot of goodwill before the production even started, and very little of it actually had to do with Johnny Cash.