items tagged with Kimberly Furness
Written By: Mike Schulz
Section: Theatre
Category: Reviews
2006-07-05 04:38:32
A half-hour before Friday's performance of On Golden Pond at the Circa '21 Dinner Playhouse, the theatre's producer (and Pond director) Dennis Hitchcock took the stage, and after making the traditional opening-night welcomes, warned that the show's first act alone ran nearly 80 minutes - a long haul, he explained, for elder audiences. Yet I'm thinking that Hitchcock's announcement was made less out of concern for the crowd's bladders than out of justifiable pride - a trek to the restroom would force people to miss parts of the show, and with the stunningly fine performance Michael Kennedy is giving here, who would want to miss even one?
Read More About Golden Oldies: "On Golden Pond," At The Circa ’21 Dinner Playhouse Through September 2...
Written By: Mike Schulz
Section: Theatre
Category: Reviews
2006-05-24 06:12:21
According to the elusive Theory of Everything, espoused in Jacquelyn Reingold’s String Fever, life is composed of a series of hidden dimensions that fold up within one another and overlap, creating unseen, generally unacknowledged connections, and giving meaning to even our most random encounters.
Read More About Physics Class: "String Fever" At The Nighswander Theatre, Through May 28...
Written By: Mike Schulz
Section: Theatre
Category: Feature Stories
2006-05-24 05:33:53
"I think my forte is storytelling. I just like to pretend. And any experience that I have where I believe the actor or actors are as close to pretending as possible? That's what gets me off, man. To me, that's what acting's all about." -- Tom Walljasper
Read More About The Pretender: Things You Should Know About – And From – The Area’S Best Actor, Tom Walljasper...
Written By: Mike Schulz
Section: Theatre
Category: Reviews
2006-01-18 00:00:00
The most telling moment in the Circa ’21 Dinner Playhouse’s splendid re-imagining of Grease is a minor one, and – like most of this production’s finest moments – nowhere to be found in the original script. (It’s actually an invention of director/choreographer Ann Nieman’s, designed to cover a scene change.) Danny (Jeremy Jonet) and Cha-Cha (Nicole Polzella) have just won Rydell High’s dance competition, yet instead of relishing the victory, Danny runs off to re-claim the heart of his true love, Sandy (Cheryl Hoffman). As the decorations come down and the stragglers depart, Cha-Cha – who has even been rebuffed by the nerdy Eugene (Mark D. Lingenfelter) – finds herself alone, and she takes a beat, gazes at the suddenly meaningless trophy in her hands, and quietly, sadly walks off stage.
Read More About Revenge Of The Nerds: "Grease" At The Circa '21 Dinner Playhouse...
Written By: Mike Schulz
Section: Theatre
Category: Reviews
2005-11-16 00:00:00
Christmas from the Heart, which opens the Circa ’21 Dinner Playhouse’s 29th season, is a holiday-themed musical revue, and as such, it has a built-in advantage that many stage works don’t: Audiences don’t make many demands of it. When presented with a piece of this sort – in which the production is essentially an excuse for linking together a diverse group of carols and holiday hits – no one really cares what the story is about or whether the characters have any depth; all we ask is that the numbers are well-sung and that the show maintains a lively pace, and if it’s funny or touching or particularly well-designed, those are just added bonuses.
Read More About Circa '21's "Christmas From The Heart" Rates A Holiday Cheer...
Written By: Mike Schulz
Section: Theatre
Category: Feature Stories
2005-08-24 00:00:00
Chris Jansen, the artistic director of the New Ground Theatre, is a self-described “Junior Theatre kid,” and has the pictures to prove it. She thinks.
Read More About New Ground Gives Junior Theatre A Facelift...
Written By: Mike Schulz
Section: Theatre
Category: Reviews
2005-08-10 00:00:00
The Circa ’21 Dinner Playhouse enjoys a luxury that no other theatrical venues in the area do: Its productions, on average, run about eight weeks each, allowing good shows plenty of time to eventually become very, very good shows. Given this, I’m guessing that the theatre’s latest offering, Pump Boys & Dinettes, will, by its closing night on September 17, end up … fine.
Read More About Running On Half-Empty: "Pump Boys & Dinettes" At The Circa '21 Dinner Playhouse...
Written By: Mike Schulz
Section: Theatre
Category: Reviews
2005-07-27 00:00:00
Overreaching in the arts is often a good thing. Take, for example, The Will Rogers Follies, the latest presentation from Ghostlight Theatre, Inc. This is a hugely ambitious musical comedy. Not only does it aim to reproduce the experience of the Ziegfeld Follies stage shows in all their splendor and extravagance, but it’s meta-theatre as well. The production is narrated by Rogers (Shane Partlow), who freely admits to being dead for decades, yet Rogers also converses onstage with the actual Ziegfeld (voiced by the show’s director, Steve Flanigin), and other performers drop in and out of character to comment on the action as it progresses. Rogers also receives occasional visits from a long-dead pilot (Dr. Walter E. Neiswanger), while we in the audience are treated to musical contributions from others who are, similarly, deceased.
Read More About Ghostlight’S "Will Rogers Follies" A Spirited Mess...
Written By: Mike Schulz
Section: Theatre
Category: Reviews
2005-04-13 00:00:00
Chief among many surprises in Circa ‘21 Dinner Playhouse’s current production of The King & I is the re-discovery of just how funny the show is. For many, myself included, the news of another Rodgers & Hammerstein revival is enough to fill you with trepidation; must we sit through one of their timeless extravaganzas yet again? But it’s easy to forget that this theatrical duo is legendary for good reason. Beyond their undeniable musical talents, Richard Rodgers and Oscar Hammerstein wrote strong, well-constructed shows and empathetic characters, and their productions always feature an intriguing, nearly treacherous dark side; Rodgers & Hammerstein felt no compunction about casually killing off major characters. (Every time I see The Sound of Music I have to remind myself: Oh, right. There are Nazis in this.) And although I’d be content to never see South Pacific again, a recent, invigorating production of Rodgers & Hammerstein’s State Fair at Assumption High School was a welcome reminder of the duo’s gifts, and Circa ’21’s The King & I is fantastically fine, engaging and memorable and, to a quite unexpected degree, hilarious.
Read More About Leads Help This "King" Shine: "The King & I" At The Circa '21 Dinner Playhouse...
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