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items tagged with Kimberly Furness

New Ground Gives Junior Theatre a Facelift
Written By: Mike Schulz
Section: Theatre

Category: Feature Stories

2005-08-24 00:00:00

Chris Jansen, the artistic director of the New Ground Theatre, is a self-described “Junior Theatre kid,” and has the pictures to prove it. She thinks.
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Running on Half-Empty: "Pump Boys & Dinettes" at the Circa '21 Dinner Playhouse
Written By: Mike Schulz
Section: Theatre

Category: Reviews

2005-08-10 00:00:00
The Circa ’21 Dinner Playhouse enjoys a luxury that no other theatrical venues in the area do: Its productions, on average, run about eight weeks each, allowing good shows plenty of time to eventually become very, very good shows. Given this, I’m guessing that the theatre’s latest offering, Pump Boys & Dinettes, will, by its closing night on September 17, end up … fine.
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Ghostlight’s "Will Rogers Follies" a Spirited Mess
Written By: Mike Schulz
Section: Theatre

Category: Reviews

2005-07-27 00:00:00
Overreaching in the arts is often a good thing. Take, for example, The Will Rogers Follies, the latest presentation from Ghostlight Theatre, Inc. This is a hugely ambitious musical comedy. Not only does it aim to reproduce the experience of the Ziegfeld Follies stage shows in all their splendor and extravagance, but it’s meta-theatre as well. The production is narrated by Rogers (Shane Partlow), who freely admits to being dead for decades, yet Rogers also converses onstage with the actual Ziegfeld (voiced by the show’s director, Steve Flanigin), and other performers drop in and out of character to comment on the action as it progresses. Rogers also receives occasional visits from a long-dead pilot (Dr. Walter E. Neiswanger), while we in the audience are treated to musical contributions from others who are, similarly, deceased.
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Leads Help This "King" Shine: "The King & I" at the Circa '21 Dinner Playhouse
Written By: Mike Schulz
Section: Theatre

Category: Reviews

2005-04-13 00:00:00

Chief among many surprises in Circa ‘21 Dinner Playhouse’s current production of The King & I is the re-discovery of just how funny the show is. For many, myself included, the news of another Rodgers & Hammerstein revival is enough to fill you with trepidation; must we sit through one of their timeless extravaganzas yet again? But it’s easy to forget that this theatrical duo is legendary for good reason. Beyond their undeniable musical talents, Richard Rodgers and Oscar Hammerstein wrote strong, well-constructed shows and empathetic characters, and their productions always feature an intriguing, nearly treacherous dark side; Rodgers & Hammerstein felt no compunction about casually killing off major characters. (Every time I see The Sound of Music I have to remind myself: Oh, right. There are Nazis in this.) And although I’d be content to never see South Pacific again, a recent, invigorating production of Rodgers & Hammerstein’s State Fair at Assumption High School was a welcome reminder of the duo’s gifts, and Circa ’21’s The King & I is fantastically fine, engaging and memorable and, to a quite unexpected degree, hilarious.


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