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items tagged with Kirsten Dunst

Holiday Fare a Depressing Lot: "Peter Pan," "Mona Lisa Smile," and "Cheaper by the Dozen"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2004-01-14 00:00:00

Are mainstream movies, in general, becoming more and more stale? The question arose a couple of weeks ago when an acquaintance asked if I’d seen anything good recently. After a pause I was finally able to reply, “Uh ... Return of the King?”

“Well, of course that. Anything since then?”


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"The Matrix Reloaded" Filled with Visual Treats: Also, "Down with Love"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2003-05-21 00:00:00

The Matrix ReloadedTHE MATRIX RELOADED

“Neo and the rebel leaders estimate that they have 72 hours until 250,000 probes discover Zion and destroy it and its inhabitants. During this, Neo must decide how he can save Trinity from a dark fate in his dreams.”

– Plot outline for The Matrix Reloaded, as seen on the Internet Movie Database

Boy, that sure sounds simple, doesn’t it?


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Latest King Adaptation an Incoherent Nightmare: "Dreamcatcher," "The Core," "View from the Top," and "Talk to Her"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2003-04-02 00:00:00

Morgan Freeman in DreamcatcherDREAMCATCHER

Just how unspeakably bad is the Stephen King adaptation Dreamcatcher? Allow me to present a few examples of opening sentences I was considering for this review:


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"Spider-Man" Takes Flight with Giddy Action: Also, "Hollywood Ending"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2002-05-08 00:00:00

Tobey Maguire and Kirsten Dunst in Spider-ManSPIDER-MAN

Your enjoyment of Sam Raimi’s Spider-Man adaptation will, I think, boil down to just how realistic you want your special effects to be. I imagine that even those who haven’t yet seen the film – and there must be at least three or four of you out there – will have seen the previews of our hero as he leaps across buildings and whooshes through downtown Manhattan, and they’re all most obviously computer-generated effects; I have friends who refuse to see the film because of how bored they already are of CGI in movies.


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"Baby Boy" Shows Singleton All Grown Up: Also, "crazy/beautiful" and "Scary Movie 2"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2001-07-11 00:00:00

Ving Rhames and Tyrese Gibson in Baby BoyBABY BOY

It’s a small movie, but the scope of John Singleton’s Baby Boy is enormous; the film is nothing less than a critique of young African-American males, a warts-and-all look at the infantilization of those who consider themselves true men. Singleton received great acclaim a decade ago for his writing/directing debut, Boyz N the Hood, and while his take on Shaft last summer was an enjoyably over-the-top romp, Baby Boy is his first work to make good on the promise he showed in 1991: The movie is superb. Where nearly every scene in Boyz N the Hood was filled with dread and the threat of violence, the images in Baby Boy are steeped in sadness and resignation, with exquisite moments of joy, fear, and strength throughout.


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