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items tagged with Kitty Israel

A Coupla Theatre Guys Sittin’ Around Talkin’: Mike Schulz and Thom White Discuss 2014's Area Stage Scene
Written By: Mike Schulz
Section: Theatre

Category: Feature Stories

2014-12-18 12:00:00

the Circa '21 Dinner Playhouse's Irving Berlin's White ChristmasIf you’re new to this almost-annual recap, what follows is my conversation with Reader theatre reviewer Thom White about the area’s stage stage over the past 12 months.

If you’re not new to it, you know the drill. Clear some time, grab a snack, and enjoy!


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The Devil "Made Him" Do It: "Doctor Faustus," at the QC Theatre Workshop through July 26
Written By: Mike Schulz
Section: Theatre

Category: Reviews

2014-07-21 12:00:00

Kitty Israel in Doctor FaustusThere were moments during Friday’s performance of the Prenzie Players’ Doctor Faustus in which I was creeped out, but with a fascination that had me begging for more. Director Jake Walker, sound designer Elizabeth Spoerl, and lighting designer Tyson Danner create effectively ominous scenes, particularly those involving chanting or whispering from behind the black curtains surrounding the audience, or red light pouring forth from an opening in that cloth wall. Chills ran up my spine, goosebumps rose along my legs and arms, and the hair on the back of my neck stood up multiple times – all signs of a thrilling production.


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Italian Beefs: "The Two Gentlemen of Verona," at the QC Theatre Workshop through December 15
Written By: Mike Schulz
Section: Theatre

Category: Reviews

2013-12-09 12:00:00

Adam Michael Lewis and Sergeant Leon Maxwell Edison VonPepper in The Two Gentlemen of VeronaThe women of The Two Gentlemen of Verona shine in the Prenzie Players’ latest production. Maggie Woolley’s effervescent Julia and Catie Osborn’s enrapturing Silvia – characters courted by the two gentlemen of the title – are especially captivating, thanks to Woolley's and Osborn's layered portrayals of ladies in (and later out of, and then back in) love. They’re among a group of female actors here that offer dynamic, entertaining performances filled with notable nuance, aplomb, and, when called for, titillating humor. And they are a credit to director Andy Lord’s vision for what seems to me one of William Shakespeare’s weaker, less refined plays. The women help add emotional depth to the text, while Lord wisely places the comedic aspects of the tale at the forefront through his cast's energetic performances.


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Carnival Cruising Lines: "The Rover," at the QC Theatre Workshop through October 28
Written By: Mike Schulz
Section: Theatre

Category: Reviews

2012-10-22 12:00:00

Diane Emmert and Jeremy Mahr in The Rover; photo by Shared Light Photography's Jessica SheridanJeremy Mahr seems to be dancing with his dialogue as Willmore, the titular character in the Prenzie Players’ The Rover. Author Aphra Behn’s words trip the light fantastic off his tongue, with Mahr presenting his rakish playboy so playfully that it's as though he’s fluent in the stylized, 17th Century language of the period. And when the meaning of what he’s saying is expressed through his entire body – particularly during Willmore's more amorous lines – the obviously fully invested Mahr is incredibly fun to watch.


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False Profit: "Tartuffe," at Skellington Manor through December 11
Written By: Mike Schulz
Section: Theatre

Category: Reviews

2011-12-05 14:00:11

(left to right, from the top) Tartuffe's Brianne Kinney, James Driscoll, Jessica Sheridan, Kitty Israel, Denise Yoder, Stephanie Moeller, Angetha Rathman, Jeb Makula, and Andy CurtissThere are so many smart line deliveries in the Prenzie Players’ Tartuffe that I could gush over each one here and still not have space for half of them. From Stephanie Moeller’s forceful proclamation “I’m timid!” to Jessica Sheridan’s delightfully wicked warning about being stuck with the unbearable title character “each day ... and night ... for life,” Friday’s performance had me cackling over and over again. I won’t, however, point to any more specific line interpretations, for fear of ruining the element of surprise. A large part of the production’s humor lies in hearing its words delivered in unexpected ways.


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