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items tagged with Kristen Stewart

Not to My Lycan: "The Twilight Saga: New Moon" and "The Blind Side"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2009-11-22 22:10:50

Taylor Lautner, Kristen Stewart, and Robert Pattinson in The Twilight Saga: New MoonTHE TWILIGHT SAGA: NEW MOON

Like last November's film version of Stephenie Meyer's Twilight, this November's follow-up, the helpfully titled The Twilight Saga: New Moon, is a mostly dour affair, a vampire tale less concerned with blood-letting than with the pain of teenage heartache, romantic longing, chastity, and maudlin acoustic ballads. That's why, despite some occasional levity, it's a shock to find director Chris Weitz's movie boasting not one but two absolutely outstanding jokes.


Read More About Not To My Lycan: "The Twilight Saga: New Moon" And "The Blind Side"...


Tilt 'n' Whirl: "Adventureland" and "Sunshine Cleaning"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2009-04-05 22:41:31

Jesse Eisenberg and Kristin Stewart in AdventurelandADVENTURELAND

My first awareness of writer/director Greg Mottola's Adventureland came at Christmastime, when some family members and I saw a trailer for the comedy before, of all things, a screening of Doubt. The movie's my-summer-at-an-amusement-park setup looked kind of promising, but given the preview's one-liners and visual gags, the supporting cast (Bill Hader, Ryan Reynolds, Kristen Wiig), and Mottola's credit as the director of Superbad, it seemed like an incredibly inappropriate teaser to run before John Patrick Shanley's nonsecular drama. When the trailer ended, my brother and I shared an incredulous look and a chuckle at the apparent incongruity. "Know your audience," he said with a laugh.


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Vamping: "Twilight" and "Bolt"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2008-11-26 08:22:50

Robert Pattinson and Kristen Stewart in TwilightTWILIGHT

Let's just get it out of the way: No, I haven't read Stephenie Meyer's Twilight, and no, I didn't really care for the film version. But I won't begrudge the movie its popular appeal, because while watching director Catherine Hardwicke's and screenwriter Melissa Rosenberg's take on Meyer's teen-vampire tale, it was pretty easy to see what would make the material absolutely irresistible to its target audience. For those of us who aren't its target audience, maybe not so much.


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When Bad Advertising Happens to Good Movies: "The Invisible," "Next," and "In the Land of Women"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2007-05-02 08:12:14

Margarita Leviera and Justin Chatwin in The InvisibleTHE INVISIBLE

Funny story. I caught director David S. Goyer's The Invisible on Friday afternoon, and later that evening, watched a TV show I'd taped a couple of days prior but hadn't yet seen. During a commercial break, there was a preview for The Invisible. Amazingly, it was the first trailer for the film I'd landed upon, which gave me the unusual opportunity to judge a preview based on its movie, rather than the other way around. And now that I have seen the teaser for the film - a 15-second scare-flick pastiche of screams, slash-edits, and a threatening shriek of "You're dead!!!" - I feel compelled to ask: Did The Invisible's marketing wizards not see the movie, or did they indeed see it, not have a clue about how to market it, and purposely create the most misleading trailer imaginable?


Read More About When Bad Advertising Happens To Good Movies: "The Invisible," "Next," And "In The Land Of Women"...


Heavy Duty: "Norbit," "Hannibal Rising," and "The Messengers"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2007-02-14 08:36:24

Eddie Murphy in NorbitNORBIT

Eddie Murphy's latest latex comedy, Norbit, is an unusual mixture of abject stupidity and sheer genius. If you've seen the previews - and is there anyone left who hasn't? - you've pretty much gleaned the plot, which finds our nerdy, titular hero (Murphy) trapped in matrimonial hell with the punishing, frighteningly obese Rasputia (Murphy again), and yearning to win the heart of his one true love (Thandie Newton). From beginning to end, director Brian Robbins' movie is formulaic, repetitive, obvious, and not nearly as hysterical as it wants to be. It's also one of the few comedies of recent years to be touched with something approximating brilliance.


Read More About Heavy Duty: "Norbit," "Hannibal Rising," And "The Messengers"...





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