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items tagged with Liam Neeson

"House of Flying Daggers" an Intoxicating Action Spectacle: Also, "Elektra" and "Kinsey"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2005-01-19 00:00:00

House of Flying DaggersHOUSE OF FLYING DAGGERS

Like many of us, one of my favorite movie memories will forever remain the moment in The Wizard of Oz when Dorothy opens the door of her black-and-white world to reveal the dazzling hues of Munchkinland; the impression that left on me as a child – the colors seemed more vibrant than any you’d encounter in real life – was so profound that, seeing the movie again as an adult, the scene still gets me a little misty-eyed.


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2004 in Movies
Written By: Mike Schulz
Section: Movies

Category: Feature Stories

2005-01-12 00:00:00
Was I feeling especially sensitive in 2004, or were the year’s most memorable cinematic works, coincidentally, the most unabashedly romantic ones? It could certainly be me – the only (fictional) televised event that moved me to tears was the unlikely but enormously satisfying kiss between Martin Freeman’s Tim and Lucy Davis’ Dawn on The Office Special.
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"K-19" Surfaces as Surprisingly Strong Summer Picture: "K-19: The Widowmaker," "Reign of Fire," and "Eight Legged Freaks"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2002-07-24 00:00:00

Harrison Ford in K-19: The WidowmakerK-19: THE WIDOWMAKER

Most movie trailers make the film in question look much better than it actually is; the previews for K-19: The Widowmaker don’t give any indication how good it actually is.


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Standout Sequences Salvage "Clones": "Star Wars: Episode II - Attack of the Clones"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2002-05-22 00:00:00

Hayden Christensen and Natalie Portman in Star Wars, Episode III - Attack of the ClonesSTAR WARS, EPISODE II - ATTACK OF THE CLONES

Can two or three marvelous scenes make a movie? The question arises after seeing Star Wars, Episode II - Attack of the Clones, the fifth installment in George Lucas’ sci-fi series, and the first to make me seriously ruminate on whether or not I actually liked it. (For the record, I found the first film very enjoyable, thought The Empire Strikes Back was a work of near-genius, and found both Return of the Jedi and The Phantom Menace plodding and dull.) My initial reaction upon leaving the theatre, though, was one of unfettered happiness; replaying the kineticism of the movie’s big set pieces, I smiled during the whole drive home, immediately called my best friend, a devout Star Wars fanatic, to tell him he’d love it, and continued, for the rest of the day, to extol the film’s surprising merits to friends and co-workers.


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Acting Duo Elevates "K-PAX": Also, "13 Ghosts"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2001-10-31 00:00:00

Kevin Spacey in K-PAXK-PAX

Kevin Spacey has made a career out of being snidely patronizing, of being the smartest person in the room, and that’s what I adore about him; he patently refuses to be lovable, and his wicked intelligence and dry-as-sandpaper line readings give a snap to just about every role he plays. (That’s why his performance as the physically and emotionally scarred teacher in last year’s imbecilic tearjerker Pay It Forward was so disappointing; he’s not built for sentiment, and his presence in that mopey role merely exposed the film’s schmaltziness.) I guess it was inevitable that Spacey, who always comes off as knowing more than we do, would one day play an alien (or is he?) who arrives on Earth to teach us all lessons about life and love that we can’t figure out for ourselves. And so we have K-PAX, which had the potential to be excruciating but, as directed by Iain Softley and performed by a marvelous cast led by Spacey and Jeff Bridges, turns out to be thoroughly engaging; it’s a case study in how the right director and performers can redeem mostly worthless material.


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