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items tagged with Lindsay Lohan

And Here's to You, Mr. Robinson: "42" and "Scary Movie 5"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2013-04-13 20:58:35

Harrison Ford and Chadwick Boseman in 4242

42, writer/director Brian Helgeland’s dramatization of three years in the life of baseball trailblazer Jackie Robsinson, is an earnest, deliberately old-fashioned entertainment, an inspirational bio-pic made with professionalism and care but little in the way of emotional or thematic nuance – it’s the very definition of what-you-see-is-what-you-get filmmaking. In three specific scenes, though, this seemingly prototypical triumph-of-the-underdog sports flick also achieves a legitimate, rousing greatness, and it’s the sort of expansive and lingering greatness that makes you leave the picture feeling, with few reservations, that the movie as a whole was truly great.


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The Too-Quiet American: “The American,” “Going the Distance,” “Machete,” and “The River Is Life”
Written By: Mike Schulz
Section: Movies

Category: Reviews

2010-09-06 19:44:36

George Clooney in The AmericanThere's so much that's impressive about The American that I feel somewhat guilty for briefly nodding off, twice, during the course of the film. But in my defense - and unlike the gentleman sitting in the row ahead of me - I'm at least reasonably sure I didn't snore.
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Mike's Online-Only Movie Reviews - 2007
Written By: Mike Schulz
Section: Movies

Category: Reviews

2007-10-30 00:41:02

Eduardo Verastegui and Tammy Blanchard in BellaBella (PG-13) - Alejandro Monteverde's drama, which concerns the friendship between a chef and a newly pregnant, newly unemployed waitress, received the People's Choice Award at the 2006 Toronto Film Festival. Um... who are these "people," exactly? Space people? Because I can see how Bella might be confused with a great movie if you didn't understand a word of human conversation. Even then, of course, you might still be put off by the film's bizarre editing (with flash-forwards routinely, meaninglessly interrupting scenes-in-progress) and lackluster photography; Montevrede shows more interest in food than in his stars. And then there's that baffling ending, which seems to set the film up for a sequel - one that fills in that massive "Huh?!?" of a climactic plot hole. But it's still the mawkish, maudlin screenplay that does it in; Eduardo Verástegui (looking uncannily like Jim Caviezel as Christ) and Tammy Blanchard (as ever, looking uncannily like Judy Garland) are stuck with unplayable dialogue and baldly written characters, and the movie shamelessly plies on the merely-functional supporting stereotypes. The movie is pro-life and pro-family with a vengeance, which might account for its (limited) popular success. I just wish it were also a little pro-brain, and a lot anti-cliché.


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Just Her Luck: "I Know Who Killed Me"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2007-08-01 09:41:12

Lindsay Lohan in I Know Who Killed MeI KNOW WHO KILLED ME

Lindsay Lohan's latest movie, I Know Who Killed Me, is for those who saw the actress' recent mug shot and were praying that Hollywood would adapt it for the big screen. (The photograph in question, as nearly everyone now knows, was taken after Lohan's arrest for alleged drunk driving and cocaine possession.)


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Manger Danger: “The Nativity Story,” “Bobby,” “Deck the Halls,” and “Tenacious D and The Pick of Destiny"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2006-12-06 08:23:37

Keisha Castle-Hughes in The Nativity StoryTHE NATIVITY STORY

After more than an hour of noble attempts and unfortunate - though unembarrassing - failings, director Catherine Harwicke, in her biblical tale of The Nativity Story, finally lands upon the style she appears to have been aiming for all along. Mary (Keisha Castle-Hughes) has just given birth to Jesus, and as she lies in the manger alongside her husband, Joseph (Oscar Isaac), a blinding shaft of light descends from the heavens and lands directly on the holy family, creating a tableaux that is at once instantly familiar and freshly moving.


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