items tagged with Lucy Liu
Written By: Mike Schulz
Section: Movies
Category: Reviews
2008-06-11 08:17:24
YOU DON'T MESS WITH THE ZOHAN
The latest Adam Sandler vehicle, You Don't Mess with the Zohan, is crass, infantile, moronic, and, on almost any level you can name, pretty damned offensive. I could kill myself for having so much fun at it.
Read More About I’M With Stupid: "You Don't Mess With The Zohan" And "Kung Fu Panda"...
Written By: Mike Schulz
Section: Movies
Category: Reviews
2006-04-19 00:00:00
THANK YOU FOR SMOKING
Jason Reitman’s Thank You for Smoking, adapted from Christopher Buckley’s satiric novel, doesn’t have much visual flair, but one recurring image in the film lends it worlds of variety: Aaron Eckhart’s smile.
Read More About A Thank You For "Smoking": "Thank You For Smoking" And "Lucky Number Slevin"...
Written By: Mike Schulz
Section: Movies
Category: Reviews
2004-04-21 00:00:00
KILL BILL: VOLUME 2
Quentin Tarantino’s Kill Bill: Volume 2 is everything I hoped last autumn’s predecessor would be (and, for me, wasn’t): thrilling, surprising, deeply emotional, and very, very funny.
Read More About "Kill Bill"’S Second Act More Than Compensates For The First: "Kill Bill Volume 2," "The Whole Ten Yards," And "Bubba Ho-Tep"...
Written By: Mike Schulz
Section: Movies
Category: Reviews
2003-07-02 00:00:00
CHARLIE'S ANGELS: FULL THROTTLE
Everything I loathed about the original Charlie’s Angels movie – the Matrix-as-shampoo-commercial direction of McG, the beyond-senseless plotting, the “Are we hot or what? ” imperiousness of Cameron Diaz, Drew Barrymore, and Lucy Liu – is back in spades in the franchise’s sequel Full Throttle, but this time, it worked for me.
Read More About These "Angels" Are A Joyously Ridiculous Spectacle: "Charlie's Angels: Full Throttle," "28 Days Later," And "From Justin To Kelly"...
Written By: Mike Schulz
Section: Movies
Category: Reviews
2000-11-08 00:00:00
THE LEGEND OF BAGGER VANCE
The Legend of Bagger Vance, Robert Redford’s golfing fable, isn’t a work of any depth, and there’s precious little intelligence on display, but it sure looks pretty – so pretty, in fact, that audiences might not realize that the movie itself is a dud. From the golden-hued cinematography of the great Michael Ballhaus to the stunning, Depression-era costuming and production design, it’s clear that the film has been made with the utmost care and a real attention to physical and aural beauty; if you didn’t understand a word of English, you might find it a masterpiece.
Read More About Sleepy And Dopey: "The Legend Of Bagger Vance" And "Charlie's Angels"...
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