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items tagged with Maggie Woolley

Queen B.: "Lear," at the QC Theatre Workshop through April 12
Written By: Mike Schulz
Section: Theatre

Category: Reviews

2014-04-05 12:00:00

Cait Bodenbender in LearIt doesn’t take long for Cait Bodenbender, in the Prenzie Players' Lear, to prove that director/adapter J.C. Luxton’s idea to reverse his characters' genders was a great one.


Read More About Queen B.: "Lear," At The QC Theatre Workshop Through April 12...


Italian Beefs: "The Two Gentlemen of Verona," at the QC Theatre Workshop through December 15
Written By: Mike Schulz
Section: Theatre

Category: Reviews

2013-12-09 12:00:00

Adam Michael Lewis and Sergeant Leon Maxwell Edison VonPepper in The Two Gentlemen of VeronaThe women of The Two Gentlemen of Verona shine in the Prenzie Players’ latest production. Maggie Woolley’s effervescent Julia and Catie Osborn’s enrapturing Silvia – characters courted by the two gentlemen of the title – are especially captivating, thanks to Woolley's and Osborn's layered portrayals of ladies in (and later out of, and then back in) love. They’re among a group of female actors here that offer dynamic, entertaining performances filled with notable nuance, aplomb, and, when called for, titillating humor. And they are a credit to director Andy Lord’s vision for what seems to me one of William Shakespeare’s weaker, less refined plays. The women help add emotional depth to the text, while Lord wisely places the comedic aspects of the tale at the forefront through his cast's energetic performances.


Read More About Italian Beefs: "The Two Gentlemen Of Verona," At The QC Theatre Workshop Through December 15...


Grin and "Bear" It: "Bear Girl," at the QC Theatre Workshop through June 22
Written By: Mike Schulz
Section: Theatre

Category: Reviews

2013-06-17 12:00:00

Beth Woolley in Bear GirlPlaywright J.C. Luxton’s writing has a beautiful eloquence about it, with poetic word choices and graceful rhythms in his verse. And while I did not understand all of the finer details in the Prenzie Players' Friday-night production of Luxton’s Bear Girl – due solely to my own shortcomings when it comes to dialogue delivered in verse – the themes and main plot points were clearly told, and also, thanks to director Cait Bodenbender’s treatment of the material, interesting, entertaining, and educational.


Read More About Grin And "Bear" It: "Bear Girl," At The QC Theatre Workshop Through June 22...


Exit, Pursued by a Bear Girl: The Prenzie Players Stage a Debuting Native American Drama, June 14 through 22 at the QC Theatre Workshop
Written By: Mike Schulz
Section: Theatre

Category: Feature Stories

2013-05-27 12:00:00

Beth Woolley in Bear GirlThe local theatre troupe the Prenzie Players is most commonly known for stylistically bold, occasionally gender-bending takes on classical dramas and comedies, principally the works of William Shakespeare. But the company is about to embark on a particularly challenging experiment with its forthcoming production of the debuting Bear Girl – and the play’s author, Prenzie co-founder J.C. Luxton, could hardly be accused of aiming too low.

“If you think of Shakespeare’s Henriad,” says Luxton, referencing the Bard’s historical trilogy of Richard II, Henry IV, and Henry V, “it’s kind of the epic of England. An epic story of who we are and how we came to be. And I think what I’m trying to do with Bear Girl is the beginnings of something similar for the Quad Cities area.”


Read More About Exit, Pursued By A Bear Girl: The Prenzie Players Stage A Debuting Native American Drama, June 14 Through 22 At The QC Theatre Workshop...


Carnival Cruising Lines: "The Rover," at the QC Theatre Workshop through October 28
Written By: Mike Schulz
Section: Theatre

Category: Reviews

2012-10-22 12:00:00

Diane Emmert and Jeremy Mahr in The Rover; photo by Shared Light Photography's Jessica SheridanJeremy Mahr seems to be dancing with his dialogue as Willmore, the titular character in the Prenzie Players’ The Rover. Author Aphra Behn’s words trip the light fantastic off his tongue, with Mahr presenting his rakish playboy so playfully that it's as though he’s fluent in the stylized, 17th Century language of the period. And when the meaning of what he’s saying is expressed through his entire body – particularly during Willmore's more amorous lines – the obviously fully invested Mahr is incredibly fun to watch.


Read More About Carnival Cruising Lines: "The Rover," At The QC Theatre Workshop Through October 28...





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