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Written By: Mike Schulz
Punch-Drunk Love is exactly what its writer-director, Paul Thomas Anderson, claims it to be – “an art-house Adam Sandler movie” – yet I can’t be alone in thinking: What’s the point of that? Is Anderson merely trying to show up the hacks who’ve directed Sandler in other films? (Again: What’s the point?) All throughout, the movie is beautifully filmed, exquisitely composed, and filled with Anderson’s uncanny knack for stretching a scene out longer than it should humanly run and making you hang on every delirious second of it.
Read More About "Punch-Drunk Love" Is A Sandler Movie For Nobody: Also, "Tuck Everlasting," "Full Frontal," And "Igby Goes Down"...
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