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items tagged with Marc Forster

"Ga-a-ah!"s and Monsters: "World War Z" and "Monsters University"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2013-06-23 18:59:48

Mireille Enos and Brad Pitt in World War ZWORLD WAR Z

Beginning with the fact that it’s directed by Marc Forster – a competent-enough craftsman whose previous works (including Finding Neverland, The Kite Runner, and the deadening James Bond entry Quantum of Solace) have hardly been known to quicken one’s pulse – practically everything about the suspenseful and exciting zombie chiller World War Z feels a little bit off, and that’s what I liked about it.


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Death Wishes: "The Bucket List," "The Kite Runner," and "First Sunday"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2008-01-16 08:18:31

Morgan Freeman and Jack Nicholson in The Bucket ListTHE BUCKET LIST

I can't begin to describe how much I was looking forward to making fun of The Bucket List. A Rob Reiner-directed dramedy about two squabbling terminal-cancer patients -Jack Nicholson, cackling and flexing his eyebrows, and Morgan Freeman, providing soothing, pithy bromides and the inevitable voice-over narration - who gradually become friends and live out their final days skydiving and race-car driving and scaling the pyramids ... . Was there any way this wouldn't be a syrupy disaster of epic proportions?


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"Saw II" Effective, But Not Much Fun: Also, "Doom," "Stay," and "Prime"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2005-11-02 00:00:00

Saw IISAW II

Since we’re no longer forced to endure Cary Elwes shrieking his hammy little head off for 90 minutes, Saw II was inevitably going to be a less annoying experience than 2004’s Saw, but the movie is pretty effective in its own right. Not entertaining, mind you, but effective. Last fall’s surprise horror hit saw Elwes and another mad overactor at the mercy of the serial killer Jigsaw (Tobin Bell) – who devises for his prey wildly elaborate devices of torture that defy both description and belief – and in one of Saw II’s few impressive twists, he’s apprehended at the end of the movie’s first reel. What follows resembles what might result if you watched The Silence of the Lambs and Seven in picture-in-picture format. As Jigsaw – in sinister, I-know-something-that-you-don’t Hannibal Lecter mode – is interrogated, and his master plan dissected, by Donnie Wahlberg’s quick-to-boil cop, a whole new slew of potential victims, including Wahlberg’s teenage son, try to survive a vicious spook house by evading Jigsaw’s contraptions and deconstructing the maddeningly obtuse sets of clues the killer has left them. (Like its precursor, Saw II makes explicit what Seven left to your imagination.)


Read More About "Saw II" Effective, But Not Much Fun: Also, "Doom," "Stay," And "Prime"...


"Sideways" an Experience to Be Savored: Also, "Being Julia" and "Finding Neverland"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2004-12-01 00:00:00

Paul Giamatti and Thomas Haden Church in SidewaysSIDEWAYS

Alexander Payne’s Sideways is so chockfull of good humor and emotional accuracy that you leave the theater overwhelmed and a bit giddy; it feels like a movie that you, alone, discovered, and want to share with friends immediately.


Read More About "Sideways" An Experience To Be Savored: Also, "Being Julia" And "Finding Neverland"...


Thornton and Berry Bring Magic to the "Ball": "Monster's Ball" and 2002 Oscars Postmortem
Written By: Mike Schulz
Section: Movies

Category: Reviews

2002-03-27 00:00:00

Billy Bob Thornton, Peter Boyle, and Heath Ledger in Monster's BallMONSTER'S BALL

In Marc Forster’s sterling drama Monster’s Ball, Halle Berry portrays Leticia Musgrove, the wife of a convicted murderer (Sean Combs), who takes the graveyard shift of an all-night Georgia café to support herself and her pre-teen son (Coronji Calhoun). One of her repeat customers is corrections officer Hank Grotowski (Billy Bob Thornton), son of an unrepentant racist (Peter Boyle) and father of a damaged, depressed son (Heath Ledger). Through a series of tragedies, Leticia and Hank find spiritual and sexual solace in each other’s company, and Monster’s Ball asks the question that, sadly enough, must still be asked in modern-day America: Can black and white find a middle ground and truly exist in harmony?


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