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items tagged with Mark McGinn

In His Own Little Corner, in His Own Little Chair: “The Drowsy Chaperone,” at the Prospect Park Auditorium through July 17
Written By: Mike Schulz
Section: Theatre

Category: Reviews

2011-07-11 12:00:00

(clockwise from left) Mike Millar, Valeree Pieper, Erin Lounsberry, James Turilli, and Mark McGinn in The Drowsy ChaperoneI had an utterly fantastic time at Quad City Music Guild’s preview performance of The Drowsy Chaperone, director Bob Williams’ high-spirited and hysterical presentation of the long-running Broadway hit. Yet I’m embarrassed to say that I may have inadvertently missed 10 of its most entertaining minutes, because I made what was, in retrospect, a terrible mistake: I left the auditorium during intermission.


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Knocking 'em Dead: “Curtains,” at the Prospect Park Auditorium through August 15
Written By: Mike Schulz
Section: Theatre

Category: Reviews

2010-08-09 12:00:00

Jim Seward, Andrea Millea, and Mark McGinn in CurtainsCurtains is potentially the only whodunit show I actually like. It certainly doesn't hurt that it's a Fred Ebb & John Kander musical, with catchy, singable songs. And it certainly helps that Quad City Music Guild's production is well-sung, well-acted, and maintains the show's oddball quality without taking it over the top.
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Killing Time: "Any Number Can Die," at the Playcrafters Barn Theatre through May 16
Written By: Mike Schulz
Section: Theatre

Category: Reviews

2010-05-10 12:00:00

Bill Bates, Diane Greenwood, and Lisa Kahn in Any Number Can DieAs I watched Friday's performance of Any Number Can Die at the Playcrafters Barn Theatre, I tried to remember that there was (probably) a time when Fred Carmichael's script was considered hilarious. As a spoof of murder mysteries of the 1920s, this 1965 work may originally have been fresh, poking fun at the plays that audiences were used to seeing. Now, though, with so many comedies poking fun at murder-mystery clichés - and with one seemingly presented each year by Playcrafters - the jokes at the expense of the clichés have themselves become cliché. Still, Carmichael's script and Playcrafters' production of it are amusing enough to make the show at least tolerable.


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Eight Times Five: Ensembles, Musical Numbers, Stagecraft, Couples, Newcomers, Collegiate Performers, Minors, & Exits
Written By: Mike Schulz
Section: Theatre

Category: Feature Stories

2009-12-21 12:00:00

Five Inspiring Ensembles

Powerful lead performances and scene-stealing supporting turns are always welcome; one- and two-character shows can be a gas. But for my money, nothing quite beats the theatrical pleasure of watching a tightly knit ensemble in action, and the following five productions ensured that this pleasure was a continual one.

 


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Sieg Heilarious!: "The Producers," at the Prospect Park Auditorium through April 5
Written By: Mike Schulz
Section: Theatre

Category: Reviews

2009-03-30 12:00:00

Erika Thomas, Nathan Bates, and Bruce Carmen in The ProducersI'm sure there are those of you who don't think Mel Brooks' musical comedy The Producers is all that enjoyable, especially if your only acquaintance with the show is 2005's film version. But even if you felt burned by that woebegone adaptation, I urge you to check out Quad City Music Guild's current take on Brooks' modern classic, so you can see just how sublimely hysterical this material can actually be; I'm guessing that the only audiences who could possibly leave director Kevin Pieper's glorious show-biz satire in a bad mood are the easily offended and the abjectly humorless. (And you know who you are, because upon reading that, you instinctively presumed I was referring to you.)


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