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items tagged with Mark McGinn

Bawdy Image: "Cabaret," at the Prospect Park Auditorium through June 23
Written By: Mike Schulz
Section: Theatre

Category: Reviews

2013-06-17 12:00:00

Bryan Tank in CabaretQuad City Music Guild’s Cabaret is at its most entertaining whenever Bryan Tank’s Emcee graces the stage – “graces” being a somewhat incorrect term, as it's the actor’s unflinching commitment to his character’s blatantly sexual nature that’s so engaging. With his impressive German accent and convincing characterization of unabashed debauchery, Tank punctuates the beguilement of his Emcee by way of sexual gestures that seemed to titillate Thursday’s preview-performance audience, at least judging by the large amounts of laughter mixed with amused shock. (This was most notable during the threesome pelvic thrusts and other dance steps in Cabaret's “Two Ladies” number, one of several deliciously bawdy pieces choreographed by Emma Williams.)


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In His Own Little Corner, in His Own Little Chair: “The Drowsy Chaperone,” at the Prospect Park Auditorium through July 17
Written By: Mike Schulz
Section: Theatre

Category: Reviews

2011-07-11 12:00:00

(clockwise from left) Mike Millar, Valeree Pieper, Erin Lounsberry, James Turilli, and Mark McGinn in The Drowsy ChaperoneI had an utterly fantastic time at Quad City Music Guild’s preview performance of The Drowsy Chaperone, director Bob Williams’ high-spirited and hysterical presentation of the long-running Broadway hit. Yet I’m embarrassed to say that I may have inadvertently missed 10 of its most entertaining minutes, because I made what was, in retrospect, a terrible mistake: I left the auditorium during intermission.


Read More About In His Own Little Corner, In His Own Little Chair: “The Drowsy Chaperone,” At The Prospect Park Auditorium Through July 17...


Knocking 'em Dead: “Curtains,” at the Prospect Park Auditorium through August 15
Written By: Mike Schulz
Section: Theatre

Category: Reviews

2010-08-09 12:00:00

Jim Seward, Andrea Millea, and Mark McGinn in CurtainsCurtains is potentially the only whodunit show I actually like. It certainly doesn't hurt that it's a Fred Ebb & John Kander musical, with catchy, singable songs. And it certainly helps that Quad City Music Guild's production is well-sung, well-acted, and maintains the show's oddball quality without taking it over the top.
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Killing Time: "Any Number Can Die," at the Playcrafters Barn Theatre through May 16
Written By: Mike Schulz
Section: Theatre

Category: Reviews

2010-05-10 12:00:00

Bill Bates, Diane Greenwood, and Lisa Kahn in Any Number Can DieAs I watched Friday's performance of Any Number Can Die at the Playcrafters Barn Theatre, I tried to remember that there was (probably) a time when Fred Carmichael's script was considered hilarious. As a spoof of murder mysteries of the 1920s, this 1965 work may originally have been fresh, poking fun at the plays that audiences were used to seeing. Now, though, with so many comedies poking fun at murder-mystery clichés - and with one seemingly presented each year by Playcrafters - the jokes at the expense of the clichés have themselves become cliché. Still, Carmichael's script and Playcrafters' production of it are amusing enough to make the show at least tolerable.


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Eight Times Five: Ensembles, Musical Numbers, Stagecraft, Couples, Newcomers, Collegiate Performers, Minors, & Exits
Written By: Mike Schulz
Section: Theatre

Category: Feature Stories

2009-12-21 12:00:00

Five Inspiring Ensembles

Powerful lead performances and scene-stealing supporting turns are always welcome; one- and two-character shows can be a gas. But for my money, nothing quite beats the theatrical pleasure of watching a tightly knit ensemble in action, and the following five productions ensured that this pleasure was a continual one.

 


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