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items tagged with Martin Scorsese

Maul Cop: "Observe & Report" and "Hannah Montana: The Movie"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2009-04-12 19:15:26

Anna Faris and Seth Rogen in Observe & Report

OBSERVE & REPORT

It's been a couple of days, and I'm still not sure what to make of writer/director Jody Hill's unexpectedly disturbing broad comedy Observe & Report, in which bipolar security guard Ronnie Barnhardt (Seth Rogen) attempts to apprehend a shopping-mall flasher and win over the skank of his dreams (Anna Faris).


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Happy, Grumpy, Dopey, Sleepy, Sleazy, Blissful, and Dog: Notes on Seven Movies in Two Days
Written By: Mike Schulz
Section: Movies

Category: Reviews

2008-10-08 08:30:39

Hollywood, in its infinite wisdom, chose to open a whopping seven wide releases this past Friday, and since the market apparently wasn't glutted enough, also expanded distribution of the Ed Harris western Appaloosa from 14 theatres to 1,045. As business strategies go, this one was a bit of a head-scratcher, but it was refreshing to see a weekend when there truly was something new for everyone - the only people screwed in the deal, it seems, were movie critics without access to press previews.

Oh hey, that's me!


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Gross Anatomy: "The Ruins," "Leatherheads," "Nim's Island," and "Shine a Light"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2008-04-09 08:00:44

Jena Malone and Laura Ramsey in The RuinsTHE RUINS

I caught The Ruins during a minimally populated Saturday-afternoon screening, so I pray that a larger, rowdier audience laughed like mad when our surgeon-to-be hero (the hilariously stalwart Jonathan Tucker) surmised the deadly situation he and his friends were in and barked, with absolute earnestness, "Four Americans on vacation don't just disappear!"

That poor, dumb kid. Never saw a horror movie.


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Human/Nature: "Into the Wild" and "American Gangster"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2007-11-07 16:17:56

Emile Hirsch in Into the WildINTO THE WILD

As a director, Sean Penn has proven more than proficient, but he hasn't exactly demonstrated a lightness of spirit; within his The Indian Runner, The Crossing Guard, and The Pledge, you can pretty much count the number of smiles generated on one hand. I love the gravity that Penn brings to his directing/writing projects, his readiness to explore anguished and vengeful depths, but his seriousness as a filmmaker has its downside, too. Penn's works have been so dour and laden with portent that, as their narratives progress, they begin to feel oppressive and one-dimensional. Like a joke now and again would kill him?


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The Jig Is Up: “Saw III,” “Catch a Fire,” “Flicka,” and “Roving Mars”
Written By: Mike Schulz
Section: Movies

Category: Reviews

2006-11-01 04:31:53

Shawnee Smith and Bahar Soomekh in Saw IIISAW III

There's a shot in Saw III - one of the less repellent ones, and one of the few that makes any sense whatsoever - that proves pretty emblematic of the movie as a whole. A middle-aged man, attempting to escape the machinations of the serial killer Jigsaw, runs down a dank hallway and vomits, and as he does, the camera pans down for a close-up of the bile. In a nutshell, that's Saw III - having our faces shoved in puke. (Also blood, entrails, and, in one sequence, pureed pig.) Whatever ultra-violent wit the Saw series may have once boasted is nowhere on display here; the film is 105 minutes of solid torture, both for Jigsaw's hapless victims and for the audience.


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