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items tagged with Martin Scorsese

New Woody Film Marks a Return to Form: "Anything Else," "Secondhand Lions," "Cold Creek Manor," and "Cabin Fever"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2003-09-24 00:00:00

Jason Biggs and Woody Allen in Anything ElseANYTHING ELSE

As a lifelong fan of Woody Allen’s cinematic oeuvre, the last five years have been rather painful. Sure, Small Time Crooks was a lot of fun and Sean Penn delivered a truly inspired performance in Sweet & Lowdown, but The Curse of the Jade Scorpion, though intermittently amusing, felt pretty stale, and Celebrity and last year’s Hollywood Ending were just plain awful. (Part of being a true fan includes admitting when your heroes fail, and feeling somewhat heartbroken when they do.)


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"Identity" and "Confidence" Flawed but Enjoyable: Also, "City of God," "Bulletproof Monk," and "Malibu's Most Wanted"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2003-04-30 00:00:00

John Hawkes, Ray Liotta, Amanda Peet, and John Cusack in IdentityIDENTITY and CONFIDENCE

By some bizarre coincidence, this past weekend saw the arrival of two new films, Identity and Confidence, that share an almost frightening number of similarities.


Read More About "Identity" And "Confidence" Flawed But Enjoyable: Also, "City Of God," "Bulletproof Monk," And "Malibu's Most Wanted"...


"Rabbit-Proof Fence" the Best of a Sorry Crop: Also, "Bringing Down the House," "Tears of the Sun," "Willard," "Cradle 2 the Grave," and 2003 Oscar Predictions
Written By: Mike Schulz
Section: Movies

Category: Reviews

2003-03-19 00:00:00

Steve Martin, Queen Latifah, and Eugene Levy in Bringing Down the HouseBRINGING DOWN THE HOUSE

Since she executive-produced the film, I shouldn’t feel too badly for Queen Latifah in Bringing Down the House; she obviously knew what she was getting into.


Read More About "Rabbit-Proof Fence" The Best Of A Sorry Crop: Also, "Bringing Down The House," "Tears Of The Sun," "Willard," "Cradle 2 The Grave," And 2003 Oscar Predictions...


Best Bets This Week Are in the Video Store: Also "Analyze That" and "Empire"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2002-12-11 00:00:00

Billy Crystal and Robert De Niro in Analyze ThatANALYZE THAT and EMPIRE

It’s enough to make a grown movie-critic weep: You rave about Solaris, a science-fiction work that’s psychologically rich, challenging, and incredibly unusual, and you read in the paper that the audience-tracking firm Cinemascore has ranked it the most universally loathed major release in 20 years. You check out the top-10 list from the National Board of Review, the first organization to hand out year-end kudos, and realize that only one of those 10 films has (as yet) made it to the Quad Cities, and that one only stayed for a week at Moline’s Nova 6 Cinemas. And you eagerly look forward to a December weekend of new releases – surely some of those terrific-looking titles will finally appear? – and your only options are Analyze That and Empire.


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Acting Duo Elevates "K-PAX": Also, "13 Ghosts"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2001-10-31 00:00:00

Kevin Spacey in K-PAXK-PAX

Kevin Spacey has made a career out of being snidely patronizing, of being the smartest person in the room, and that’s what I adore about him; he patently refuses to be lovable, and his wicked intelligence and dry-as-sandpaper line readings give a snap to just about every role he plays. (That’s why his performance as the physically and emotionally scarred teacher in last year’s imbecilic tearjerker Pay It Forward was so disappointing; he’s not built for sentiment, and his presence in that mopey role merely exposed the film’s schmaltziness.) I guess it was inevitable that Spacey, who always comes off as knowing more than we do, would one day play an alien (or is he?) who arrives on Earth to teach us all lessons about life and love that we can’t figure out for ourselves. And so we have K-PAX, which had the potential to be excruciating but, as directed by Iain Softley and performed by a marvelous cast led by Spacey and Jeff Bridges, turns out to be thoroughly engaging; it’s a case study in how the right director and performers can redeem mostly worthless material.


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