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items tagged with Marton Csokas

Both Eyes for an Eye, a Jaw for a Tooth: "The Equalizer" and "The Boxtrolls"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2014-09-28 20:38:49

Denzel Washington in The EqualizerTHE EQUALIZER

As he did, to great acclaim and an Oscar victory, in director Antoine Fuqua’s Training Day, Denzel Washington plays a psychopath in Fuqua’s new action thriller The Equalizer. And the most interesting thing about the movie – in truth, the only interesting thing about this laughably earnest, resoundingly foolish endeavor – is that none of its on- or off-screen participants seems to realize it.


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You Say You Want a Retribution: “The Debt,” “Apollo 18,” and “Shark Night 3D”
Written By: Mike Schulz
Section: Movies

Category: Reviews

2011-09-04 14:51:31

Sam Worthington and Jessica Chastain in The DebtTHE DEBT

After her moving, memorable performances in The Tree of Life, The Help, and the current John Madden thriller The Debt, I’m beginning to think that Jessica Chastain can do almost anything. As evidenced by the actress’ latest (though not last) 2011 release, however, one thing she cannot do is pass for a younger version of Helen Mirren, or at least Mirren as she appears here; beyond their ill-matching features, Chastain’s empathetic soulfulness and emotional accessibility bear little relation to the detached calm and haunted inscrutability of her more seasoned counterpart.

Having said that, if one of your few complaints about a movie lies in the casting of Jessica Chastain and/or Helen Mirren, obviously you have very little to bitch about.


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What the "Flux"?: "Aeon Flux," "Bee Season," "The Ice Harvest," and "Magnificent Desolation: Walking on the Moon 3-D"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2005-12-07 00:00:00

Charlize Theron in Aeon FluxAEON FLUX

By all rights, Aeon Flux should be godawful. (Certainly, Paramount is treating it like it is, as the studio opted against pre-release screenings for fear of lousy advance notices.) Set some 400 years in the future, director Karyn Kusama’s film – a big-screen vehicle for MTV’s Liquid Television character – takes place after 99% of the earth has been eliminated by a virus, the most humorless 1%, apparently, having been left to roam the earth. Charlize Theron’s Aeon leads a Spandex-clad revolt against the government, and the movie is, for the most part, a joke; the effects are particularly shoddy, and as they recite their clunky dialogue, you feel badly for several performers – when they were being feted as Oscar nominees, did Theron, Frances McDormand (in a red fright wig), Sophie Okenedo and Pete Postlethwaite ever think it would come to this? (The film’s one impressive performance comes from Marton Csokas, who’s like a more rugged version of Kevin Spacey.)


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