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items tagged with Mary Shelley

Just for the Mel of It: "Young Frankenstein," at the Prospect Park Auditorium through June 21
Written By: Mike Schulz
Section: Theatre

Category: Reviews

2015-06-15 12:00:00

Nate Karstens, Abbey Donohoe, and Ian Sodawasser in Young FrankensteinOn at least three occasions during Thursday’s preview performance, Quad City Music Guild’s Young Frankenstein achieved a transcendent silliness – the kind you get with stunning regularity in Mel Brooks’ film-spoof inspiration. If you include everything said and done by Nate Karstens’ hunchback Igor, it was more like 203 occasions, but in the spirit of this tasty musical confection, let’s save the sweetest for dessert.
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Elementary Ghouls: "Frankenweenie," "Hotel Transylvania," and "Taken 2"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2012-10-07 18:16:19


Not two months after the release of ParaNorman, two other animated, family-friendly spook fests can now be found at national cineplexes: Tim Burton’s Frankenweenie, the Mary Shelley-like tale of a beloved pooch’s magical resurrection, and Hotel Transylvania, a manic slapstick about the world’s most comically macabre bed-and-breakfast. And after catching up with the latter titles during a recent double feature, my immediate thought was this: Man, ParaNorman sure was good, wasn’t it?

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Mike’s Online-Only Movie Reviews - 2008
Written By: Mike Schulz
Section: Movies

Category: Reviews

2008-05-01 11:06:16

The AlpsThe Alps (not rated) - The people have chosen, and the people chose good. Last fall's winner of the Putnam Museum's "Everyone's a Critic" series - which follows climber John Harlin's attempts to scale the north face of the Eiger mountain, where his father perished in 1966 - is such a breathtaking spectacle that watching it makes you a little dizzy; not from the Eiger's treacherous inclines and precipitous drops, which are (enjoyably) vertigo-inducing enough, but from the dazzling visual rush provided by director Steve Judson and his remarkable team of camera operators. Judson re-creates Harlin's ascent with jaw-dropping skill - you'll fight the urge to blurt out "How on earth did they film that?!" repeatedly during The Alps' 45-minute running length - and he and his crew photograph the Swiss mountain ranges with crystalline perfection; I'm not sure any movie has ever looked better in IMAX format. When the film turns to matters of geology and the historic make-up of the mountains, things get a little stodgy, but you're quickly returned to the awe-inspiring vistas, an unexpectedly touching human element courtesy of Harlin and his understandably worried wife and daughter, and, believe it or not, a series of marvelously employed Queen tunes that - in this format, at least - suggest what the elevator ride to heaven would sound like.

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