items tagged with Michael Apted

CLOUD ATLAS

I’ve seen plenty of movies in which a number of excellent passages can’t seem to blend into a satisfying whole. But prior to the release of Cloud Atlas, the film version of David Mitchell’s sprawling 2004 novel, I don’t think I’d ever seen a movie in which so many merely adequate sequences combine to form a whole that’s not only satisfying but downright exhilarating. Directed by Tom Tykwer and siblings Andy and Lana Wachowski and running just shy of three hours, this genre fantasia should be a mess, and it oftentimes is. It’s also, however, a hypnotic, glorious, grandly entertaining mess, one that’s probably far more enjoyable than a more presentationally faithful adaptation would’ve been.

THE CHRONICLES OF NARNIA: THE VOYAGE OF THE DAWN TREADER

In the third cinematic installment of C.S. Lewis’ Narnia series, the cumbersomely titled The Chronicles of Narnia: The Voyage of the Dawn Treader, we’re introduced to a character new to the franchise – a grouchy little snot named Eustace Scrubb. The pre-adolescent cousin to the young heroes of 2005’s The Lion, the Witch, & the Wardrobe and 2008’s Prince Caspian, this kid, played by Will Poulter, is truly a piece of work – closed-minded, miserly, cowardly, and prone to explosively motor-mouthed bouts of hysteria. With his constantly knit brow and the voice of an aggrieved, middle-aged schoolmarm, Poulter’s Eustace is about the most obnoxious, potentially alienating figure that you could ever imagine popping into this fantasy saga. He’s also so side-splittingly funny that he almost singlehandedly makes Dawn Treader not just enjoyable, but easily the most surprising screen Narnia to date.

300

Whatever its problems, and they are myriad, you can't say that Zack Snyder's 300 doesn't give you plenty to look at. Adapted from Frank Miller's and Lynn Varley's graphic novel, the film - which follow s the ancient Spartan army in a wildly violent, self-sacrificing battle against Persian forces - is filled with memorably outré images: an enormous tree and a 20-foot-high wall, both composed entirely of corpses; a triad of elephants, backed over a cliff, that plunge to their deaths; the sky blackening with what appear to be locusts, instead proving to be the incoming trajectory of thousands of steel-tipped arrows. In 300, Snyder shows a remarkable gift for graphic-novel composition, and continually keeps your eye engaged. Too bad the same can't be said of your brain.

INSOMNIA

In Christopher Nolan’s moody, atmospheric thriller Insomnia, based on a 1997 Norwegian film of the same name, Al Pacino plays Will Dormer, a famed Californian detective now under investigation by Internal Affairs. To escape the surrounding publicity, he and his partner (Martin Donovan) are sent to a remote Alaskan town to investigate the murder of a teenage girl, found beaten to death by a killer who apparently went to great lengths – washing her hair, trimming her fingernails – to maintain the dead girl’s beauty. Dormer finds his suspect relatively early, but after he becomes the catalyst in a tragic shooting accident, Dormer is increasingly haunted by feelings of guilt and remorse – egged on by the endless Alaskan sun, which shines even at night – and finds the tables turned on him; the suspected killer (Robin Williams) has witnessed the shooting, and threatens to end Dormer’s career if he is fingered as the girl’s killer.