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items tagged with Michael Clarke Duncan

A Sinking Heart Over "Atlantis": "Hearts in Atlantis" and "Don't Say a Word"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2001-10-03 00:00:00

Anton Yelchin and Hope Davis in Hearts in AtlantisHEARTS IN ATLANTIS

Given current events, are audiences now so hungry for nostalgic, nonthreatening entertainment that they’ll happily accept something as profoundly awful as Hearts in Atlantis? If so, you certainly can’t blame them, but Lord knows they deserve better than this mawkish Stephen King adaptation, a gooey and incoherent fable that gets more maddening as it progresses. I have friends who swear by the greatness of King’s novel (unread by me), but the film version comes off as a mixture of the feyest aspects of the mostly terrific Stand by Me (based on King’s novella The Body) and the metaphysical hokiness of King’s The Green Mile. It proves to be a nearly unbearable combination, and yet something tells me that this wimpy, unfocused film could turn into a big hit among those who believe, as its author apparently does, that America died right about the time King turned 13.


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Take the Ride to a New "Planet": "Planet of the Apes" and "America's Sweethearts"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2001-08-01 00:00:00

Tim Roth and Mark Wahlberg in Planet of the ApesPLANET OF THE APES

My guess is that Tim Burton’s “re-imagining” of Planet of the Apes will meet the same fate as 1999’s The Blair Witch Project and last year’s X-Men: It’ll stand as the most misunderstood, and least appreciated, blockbuster of the summer.


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Sleepy and Dopey: "The Legend of Bagger Vance" and "Charlie's Angels"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2000-11-08 00:00:00

Will Smith and Matt Damon in The Legend of Bagger VanceTHE LEGEND OF BAGGER VANCE

The Legend of Bagger Vance, Robert Redford’s golfing fable, isn’t a work of any depth, and there’s precious little intelligence on display, but it sure looks pretty – so pretty, in fact, that audiences might not realize that the movie itself is a dud. From the golden-hued cinematography of the great Michael Ballhaus to the stunning, Depression-era costuming and production design, it’s clear that the film has been made with the utmost care and a real attention to physical and aural beauty; if you didn’t understand a word of English, you might find it a masterpiece.


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