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items tagged with Michael Moore

Eternal Patients: "Sicko," "Live Free or Die Hard," and "Evening"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2007-07-03 08:34:41

Michael Moore's SickoSICKO

It seems that the older I get, and the older Michael Moore gets, the more I'm conscious of his imperfections as a filmmaker - and the less I could give a damn about them.


Read More About Eternal Patients: "Sicko," "Live Free Or Die Hard," And "Evening"...


Yo-Ho-Hum: "Pirates of the Caribbean: Dead Man's Chest," "The Devil Wears Prada," and "An Inconvenient Truth"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2006-07-12 04:24:02
Johnny Depp in Pirates of the Caribbean: Dead Man's Chest

PIRATES OF THE CARIBBEAN: DEAD MAN'S CHEST

I know a bunch of you bought tickets for it this past weekend, so allow me to ask: Did anyone else find Pirates of the Caribbean: Dead Man's Chest a little, you know, incoherent? A degree of senselessness, of course, has to come with the territory, but while I'm positive that I didn't nod off during Gore Verbinski's opus - the booming soundtrack and relentless, CGI-enhanced action won't let you - I'm not sure I ever quite understood it. There seemed to be a whole lot of plot in Dead Man's Chest but none of it meant anything or was revealed with an urgency that might make it mean anything; at some point, I simply gave up trying to figure the damned thing out, and just waited for Davy Jones and the rest of his barnacled baddies to show up again.


Read More About Yo-Ho-Hum: "Pirates Of The Caribbean: Dead Man's Chest," "The Devil Wears Prada," And "An Inconvenient Truth"...


The Deep End of the Oscar Pool: The 2006 Nominees for Foreign Language Film, Documentary Feature, and the Short-Film Categories
Written By: Mike Schulz
Section: Movies

Category: Feature Stories

2006-02-22 00:00:00
So, you’ve entered your office’s Oscar pool – and it’s a good Oscar pool, one in which they make you guess the winners in every category – and now you’re in a pickle. Best Foreign Language Film? You haven’t seen any of the nominees.
Read More About The Deep End Of The Oscar Pool: The 2006 Nominees For Foreign Language Film, Documentary Feature, And The Short-Film Categories...


A Surprisingly "Fantastic Four": Also, "Enron: The Smartest Guys in the Room" and "Rebound"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2005-07-13 00:00:00

Chris Evans, Ioan Gruffudd, Jessica Alba, and Michael Chiklis in Fantastic FourFANTASTIC FOUR

Fantastic Four is the first comic-book adaptation in ages that doesn’t seem ashamed to be a comic-book adaptation, for which I applaud it. No one could possibly argue that the film is better-made than something such as Batman Begins, but I, for one, certainly preferred it; given the choice between this obvious, goofy time-waster or Christopher Nolan’s dour mope-fest, I’d go with Fantastic Four every time. What we might lose in subtext, technical precision, and performance quality is more than made up for in inspiration and good humor, and the film has a true sense of playfulness. Finally – screen superheroes who are actually enjoying themselves!


Read More About A Surprisingly "Fantastic Four": Also, "Enron: The Smartest Guys In The Room" And "Rebound"...


"The Interpreter" a Thriller in Intent Only: Also, "Born Into Brothels," "The Amityville Horror," and "Kung Fu Hustle"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2005-04-27 00:00:00

Sean Penn and Nicole Kidman in The InterpreterTHE INTERPRETER

Why do Sydney Pollack’s movies so rarely have the snap and directness of his acting? Pollack doesn’t appear onscreen nearly enough, and when he does, it’s usually only for a scene or two. (His intellectual lout in Husbands & Wives was a rare, marvelous exception.) But these extended cameos – in Tootsie (which he also directed), Death Becomes Her, and Changing Lanes, especially – show Pollack the Actor to be a quick-witted utility player with focus and drive; without the slightest apparent effort, he can steal scenes from Dustin Hoffman or Tom Cruise, and any movie he’s in gains in intensity and sharpness when he’s around. Pollack the Director is another matter entirely. In the years since 1982’s Tootsie, he has churned out one logy, shapeless, middlebrow time-waster after another: Havana, The Firm, Sabrina, Random Hearts … they all wear their “prestige” on their sleeves, mistake inertia for depth, and are painfully overlong. (It’s the Out of Africa Syndrome.)


Read More About "The Interpreter" A Thriller In Intent Only: Also, "Born Into Brothels," "The Amityville Horror," And "Kung Fu Hustle"...





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