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items tagged with Michael Torke

Steps Forward and Back: The Quad City Symphony’s Season Opener
Written By: Jeff Ignatius
Section: Music

Category: Feature Stories

2013-10-15 18:17:29

The first Masterworks concert of the Quad City Symphony’s 99th season was a checkerboard of strengths and weaknesses. Huge, transcendent moments filled the Adler Theatre in the October 5 concert, but when things got quiet, discrepancies in tone color, balance, and rhythm appeared.

Under the direction of Music Director and Conductor Mark Russell Smith, the orchestra explored four diverse approaches to composition in reverse chronological order. Commissioned by the Quad City Symphony, the world premiere of American composer Michael Torke’s Oracle opened the program, followed by fellow countryman Aaron Jay Kernis’ Musica Celestis, featuring only the strings. The mid-20th Century’s Young Person’s Guide to the Orchestra, by British composer Benjamin Britten – with humorous narration by local media personality Don Wooten – completed the first half. After intermission, pianist Jonathan Biss joined the orchestra for Johannes Brahms’ Concerto for Piano No. 1.

The concert was an elegantly designed program that included a variety of contemporary works balanced by a classic masterpiece, but – except for Torke – it was not a good selection of music for this orchestra. In the tutti sections, when all the instruments were played, the mixture of timbre was profuse. Yet as the scoring broke down into smaller instrumental combinations, the differences in individual colors became more problematic. The result was tonal incompatibility both among the same instruments and between instrumental families.


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Foreshadowing the Season: The Quad City Symphony Premieres Michael Torke’s “Oracle”
Written By: Jeff Ignatius
Section: Music

Category: Feature Stories

2013-09-17 18:43:02

Michael Torke. Photo by Brian Hainer.

In February, the Quad City Symphony contacted a representative of Michael Torke with the hope of commissioning a short season-opening piece from the well-known American composer. It was a long shot – a request with a turnaround time of a few months instead of the typical year or two between commissioning and the orchestra’s first rehearsal with the completed music.

But Torke was looking for a summer project, a short work to add to his library of titles. “I love those drop-everything-now projects,” Torke said in a phone interview in July. “The Quad City thing seemed perfect.” With the logistics in place, what remained was finding an appropriate artistic concept and completing the piece before rehearsals in September.

Oracle was composed in a burst of creative energy from mid-June to mid-July. “I think this is going to be one of the best pieces I’ve ever written,” Torke predicted the day after the five-minute composition was completed. “I am so jazzed up about it. It starts off with this kind of ‘Pines of Rome’ thing, with one variation of the melody warm and juicy, and another noble.”


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Calculated Risks Mean a Bold Departure for Quad City Symphony Season
Written By: Jeff Ignatius
Section: Music

Category: Feature Stories

2013-08-21 11:20:03

With its adventurous selection of 20th and 21st Century American music along with a broader sampling from the standard repertoire, the Quad City Symphony Orchestra’s upcoming season represents a sharp contrast from its most recent one. Music Director and Conductor Mark Russell Smith said in a phone interview that the challenge was “finding the right balance between the familiar and unfamiliar.”

He has succeeded in both selection and placement. The award-winning contemporary American music has been sprinkled among stalwart European masters, resulting in imaginatively diverse, bold programming spanning 250 years in the six Masterworks concerts.

This year, the orchestra will present works by American composers in four of the six programs and feature two world premieres of music commissioned by the Quad City Symphony organization. “This is what I like in a season,” Smith explained. “Giving composers a forum for their work” and providing a “variety, and that’s what the audience likes.”


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