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items tagged with Michelle Dockery

Da Minion Republic: "Minions," "The Gallows," and "Self/less"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2015-07-13 16:34:01

MinionsMINIONS

The previews for the Despicable Me prequel-slash-spin-off Minions made me laugh out loud every single time I saw them ... the first dozen times I saw them. After the second dozen, though, I started to get a little nervous. By then, I had experienced roughly 72 collective minutes of these squat, yellow henchmen with their helium squawks and adorable bulging eyes (or, in some cases, eye), and my initially hearty laughter had been replaced by occasional grins and a smidge of irritation. Granted, I was only seeing three to five minutes of footage over and over, but would directors Kyle Balda’s and Pierre Coffin’s animated outing wind up feeling the same? Would a solid hour and a half of Minions, and Minions, be too much of a good thing? Answer: Not really. And also: Kind of.
Read More About Da Minion Republic: "Minions," "The Gallows," And "Self/Less"...


Airport '14: "Non-Stop" and "Son of God"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2014-03-01 19:02:44

Liam Neeson in Non-StopNON-STOP

Every Academy Awards season, the idea of adding a Best Casting category appears to gain some traction among film journalists and professionals. (This past autumn saw the limited release of a documentary – Tom Donahue’s Casting by – devoted to the subject, and Woody Allen, whom one would’ve thought indifferent to the Oscars at best, even wrote an open letter to the Hollywood Reporter in support of a casting trophy.) I’m personally fine with restricting the ceremony to the two dozen categories we do have, but if such recognition were to be included, voters could do worse than to consider Amanda Mackey and Cathy Sandrich Galfond – casting directors for the enjoyably ludicrous Non-Stop – for the prize. To be sure, it doesn’t take much wit to suggest that Liam Neeson play a grieving alcoholic with a bad temper and a gun. But casting, as two beleaguered flight attendants, 12 Years a Slave’s abused slave Patsey opposite Downton Abbey’s rigid Lady Mary? Now that’s witty.


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