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items tagged with Michelle Pfeiffer

Third "Terminator" Finds Life in the Franchise: "Terminator 3: Rise of the Machines," "Legally Blonde 2: Red, White, & Blonde," and "Sinbad: Legend of the Seven Seas"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2003-07-09 00:00:00

In a colon-happy summer that’s already given us X2: X-Men United, Dumb & Dumberer: When Harry Met Lloyd, and Charlie’s Angels: Full Throttle, this past week saw the debut of three more excessively wordy titles: Terminator 3: Rise of the Machines, Legally Blonde 2: Red, White, & Blonde, and Sinbad: Legend of the Seven Seas. While these longer monikers are, admittedly, kinda helpful – they give you a good idea of what to expect from the Terminator and Legally Blonde sequels, and the Sinbad subheading assures you that, no, it’s not a concert film featuring the one-time Star Search champion – they can play hell on print reviewers with limited space. So, for purposes of this article, the aforementioned will hereby be referred to as T3, LB2, and ... oh, I guess Sinbad will do.


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Playing with a Different Set of "Rules": "The Rules of Attraction," "White Oleander," and "Knockaround Guys"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2002-10-16 00:00:00

Ian Somerhalder in The Rules of AttractionTHE RULES OF ATTRACTION

Roger Avary’s The Rules of Attraction, based on yet another Bret Easton Ellis (Less Than Zero, American Psycho) novel about soulless, loathsome yuppie scumbags of the ’80s, is vile, venal, and sometimes shockingly distasteful. I loved it.


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I Damn "Sam": "I Am Sam," "The Mothman Prophecies," and "No Man's Land"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2002-01-30 00:00:00

Sean Penn and Dakota Fanning in I Am SamI AM SAM

How does one begin to discuss the blinding idiocies of I Am Sam? This comic weepie about Sam (Sean Penn), a mentally challenged Starbucks employee trying to retain custody of his young daughter Lucy (Dakota Fanning), is so shockingly offensive, both thematically and as a work of cinema, as to defy rational analysis, so here’s a brief checklist of what made me want to bash my head in:


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In Praise of Guilty Pleasures: "The Glass House," "Hardball," and "Two Can Play That Game"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2001-09-19 00:00:00

Leelee Sobieski in The Glass HouseTHE GLASS HOUSE

The domestic thriller The Glass House is obvious and over-the-top from the word go, and that’s what I liked about it. It takes true chutzpah to pull off a movie with visuals this baroque and plotting this convoluted; it might be the most trashily enjoyable work of its kind since 1997’s The Devil’s Advocate. Like that Al Pacino craptacular, The Glass House has no higher agenda than showing audiences, in horror-flick form, the luridness behind ultra-rich “perfection,” and it’s so up-front about its limited ambitions, and so earnestly performed by its top-tier cast, that you can easily lean back and enjoy it for the stylish dreck it is. Is it a good movie? Nah. An entertaining one? Hell, yes.


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It Must Be January: Collapsing Drama ("The Pledge"), Clichéd Gothic ("The Gift"), and Tired Teen Farce ("Sugar & Spice")
Written By: Mike Schulz
Section: Movies

Category: Reviews

2001-01-31 00:00:00

Helen Mirren and Jack Nicholson in The PledgeTHE PLEDGE

Sean Penn is one of the few dependably downbeat figures in American film, and those who like their dramas moody, atmospheric, and richly detailed will get some initial pleasure with The Pledge, Mr. Penn’s third directorial outing.


Read More About It Must Be January: Collapsing Drama ("The Pledge"), ClichéD Gothic ("The Gift"), And Tired Teen Farce ("Sugar & Spice")...





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