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items tagged with Mike Kelly

Courting Danger: "A Few Good Men," at the District Theatre through July 12
Written By: Mike Schulz
Section: Theatre

Category: Reviews

2015-07-06 12:00:00

Tristan Tapscott, Sara Tubbs, and Jacob Kendall in A Few Good MenWith its ornate ceiling and fascinating, borderline-gaudy hanging light fixtures in the District Theatre's new home in the former Rock Island Argus building, A Few Good Men seems an appropriate inaugural production, in that the space looks like a courtroom – at least while you're looking up. Following the company's sometimes uncomfortable (for patrons) stint in its previous, rather cramped venue, this open area with the ceiling rising two stories above the floor is a much welcome relief, allowing director Lora Adams’ staging of Aaron Sorkin‘s courtroom drama to breathe in ways that, for the District Theatre, it otherwise couldn’t have.
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How to Build a Better Mousetrap: "The Mousetrap," at the District Theatre through March 22
Written By: Mike Schulz
Section: Theatre

Category: Reviews

2015-03-10 11:00:00

Mike Kelly and Doug Kutzli in The MousetrapAgatha Christie’s whodunit The Mousetrap is among my favorites in the genre, mostly due to the humor the author wrote into it, as well as the clues she included that make it possible to actually discern who did do it. Although the murderer’s identity still comes as something of a shock, the game of figuring out the killer remains fun. I just wish the District Theatre’s current production of the piece were as enjoyable.


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Knight Lite: "Monty Python's Spamalot," at the District Theatre through August 17
Written By: Mike Schulz
Section: Theatre

Category: Reviews

2014-08-04 12:00:00

Doug Kutzli, Chris Tracy, Matt Holmes, Wendy Czekalski, Mike kelly, and Bob Manasco in Monty Python's SpamalotThe District Theatre's Monty Python's Spamalot seems like an amateur talent show, particularly due to the limitations of the company's new performance space in Rock Island's former Grape Life venue. (The new locale is so small, it redefines "intimate theatre" in the Quad Cities.) Yet while the limited movement due to the lack of stage space creates an amateurish feel, I’m happy to say that much of the rest of Friday's production emphasized talent. If it was an intentional decision to present the material as a novice attempt to recreate Monty Python's (arguably) best-loved film, Monty Python & the Holy Grail, it was a smart one on director Tristan Tapscott's part. Space doesn't allow for a big production, so Tapscott embraces the limitations of the new stage area, and it works.


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The Bluegrass Is Always Greener ... : "Big Rock Candy Mountain," at the District Theatre through June 8
Written By: Mike Schulz
Section: Theatre

Category: Reviews

2014-05-27 12:00:00

Kyle Jecklin, Tom Vaccaro, Doug Kutzli, Rocky Kampling, and Mark Ruebling in Big Rock Candy MountainA Depression-era band performs an impromptu concert at a small-town theatre, facing off against an overbearing, somewhat inept police officer who later, after getting plastered, takes a shine to them. The group’s biggest adversary is a mean-spirited rich woman who, after boo-worthy attacks on the group, gets her comeuppance when her power is pulled out from under her. The story serves as the bridge to performances of early-20th-Century songs performed by this jukebox musical's cast members, who play on string instruments and out-of-the-ordinary percussion sources.

It’s a description that fits both Southern Crossroads and the District Theatre’s latest debuting production, Big Rock Candy Mountain.


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Take a Walk on the Wilder Side: "Our Town," at the District Theatre through February 9
Written By: Mike Schulz
Section: Theatre

Category: Reviews

2014-01-27 12:00:00

Shelley Walljasper in Our TownDirector Bryan Tank’s production of Our Town fits the District Theatre’s stage like a glove. Or rather, I should say Tank uses the stage so well – especially in his placement of actors and set pieces – that this play seems a perfect fit for the space. With its beautiful employment of backlighting (particularly when we first see the characters grouped together) and set designer/co-star Chris Causer’s large, white pieces of fabric stretched over and draped across the back wall of the stage – and covering set pieces until they're being used – this production, aesthetically speaking, is breathtaking in its simplicity.


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