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items tagged with Morgan Freeman

What the "Flux"?: "Aeon Flux," "Bee Season," "The Ice Harvest," and "Magnificent Desolation: Walking on the Moon 3-D"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2005-12-07 00:00:00

Charlize Theron in Aeon FluxAEON FLUX

By all rights, Aeon Flux should be godawful. (Certainly, Paramount is treating it like it is, as the studio opted against pre-release screenings for fear of lousy advance notices.) Set some 400 years in the future, director Karyn Kusama’s film – a big-screen vehicle for MTV’s Liquid Television character – takes place after 99% of the earth has been eliminated by a virus, the most humorless 1%, apparently, having been left to roam the earth. Charlize Theron’s Aeon leads a Spandex-clad revolt against the government, and the movie is, for the most part, a joke; the effects are particularly shoddy, and as they recite their clunky dialogue, you feel badly for several performers – when they were being feted as Oscar nominees, did Theron, Frances McDormand (in a red fright wig), Sophie Okenedo and Pete Postlethwaite ever think it would come to this? (The film’s one impressive performance comes from Marton Csokas, who’s like a more rugged version of Kevin Spacey.)


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Murderball: The Best of Eight – and of the Year: Also, "The Exorcism of Emily Rose," "Jane Goodall's Wild Chimpanzees," "Lord of War," "An Unfinished Life," "The Constant Gardener," "Cry Wolf," and "The Man"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2005-09-21 00:00:00

MurderballMURDERBALL

I’ve seen a lot of sublimely satisfying documentaries this year, but none with the scope and passion of Murderball. Like last year’s brilliant Metallica: Some Kind of Monster, the film’s title and ostensible subject matter – quadriplegic rugby – are probably enough to frighten off the audiences who would love it the most, which I pray won’t happen; Murderball, currently playing at the Brew & View Rocket, is, thus far, the most invigorating, fascinating, surprising, and deeply human movie of 2005.


Read More About Murderball: The Best Of Eight – And Of The Year: Also, "The Exorcism Of Emily Rose," "Jane Goodall's Wild Chimpanzees," "Lord Of War," "An Unfinished Life," "The Constant Gardener," "Cry Wolf," And "The Man"...


Bay’s Latest a Personal Best – and an OK Movie: "The Island," "Hustle & Flow," "Wedding Crashers," and "March of the Penguins"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2005-07-27 00:00:00

Scarlett Johansson and Ewan McGregor in The IslandTHE ISLAND

If we absolutely must endure movies by Michael Bay, we could do a lot worse – we have done a lot worse – than The Island. As usual, there isn’t a plot point or turn of character here that Bay doesn’t make wincingly obvious, and, apparently, there’s no getting rid of either his tiresome sentimental streak or his sniggering, insulting stabs at “humor.” (When Bay attempts to be serious I giggle, and when he tries to make jokes, I go numb.) But I’d be lying if I didn’t admit to being reasonably entertained by The Island. Bay has hold of an intriguing story idea, and even if the movie eventually turns into routine action-thriller nonsense, at least that nonsense is delivered with speed, a few memorable images, and even something resembling humanity. Like all Michael Bay movies, The Island runs a good bit over two hours. Unlike the others, I barely noticed.


Read More About Bay’S Latest A Personal Best – And An OK Movie: "The Island," "Hustle & Flow," "Wedding Crashers," And "March Of The Penguins"...


When the Spielberg Touch Goes Deeply Wrong: "War of the Worlds"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2005-07-06 00:00:00

Tim Robbins, Tom Cruise, and Dakota Fanning in War of the WorldsWAR OF THE WORLDS

My first thought after seeing Steven Spielberg’s War of the Worlds was: Thank God for the aliens, because although the creatures themselves aren’t particularly memorable – a gooey blend of the director’s beatific Close Encounters visitors and H. R. Giger’s 1979 Alien design – their spacecrafts certainly are. The ships’ enormous tripod legs, crushing everything in their paths, exude a wriggling, snakelike suggestiveness, and they have vicious talents besides; these tentacles have the ability to either incinerate their victims instantly – making the human race resemble ants at the mercy of a magnifying glass – or toss them into the spaceships’ grotesque “mouths,” producing more grisly, prolonged executions. (A couple of killings are reminiscent of Steve Buscemi’s demise in Fargo.) To the War of the Worlds aliens, humans are a combination of entertainment, nuisance, and snack, and whenever Spielberg gives us evidence of just how queasily horrifying an attack of this nature might be, his movie is gripping and evocative.

My second thought was: Steven Spielberg has lost his mind.


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"Batman Begins" Is Faithful, but Not Much Fun
Written By: Mike Schulz
Section: Movies

Category: Reviews

2005-06-22 00:00:00

Christian Bale in Batman BeginsBATMAN RETURNS

Many Hollywood blockbusters feel so generic as to have been formed by committee, and in Batman Begins, that committee appears to be comprised entirely of comic-book bloggers. Just how afraid of Internet fanboys have movie studios become? It has been widely reported that this new installment in the superhero franchise is a deliberate rebuke to director Joel Schumacher’s beyond-campy Batman Forever and Batman & Robin, and I couldn’t be more on board with that; Schumacher managed to turn Warner Brothers’ moody franchise into a half-assed Mardi Gras spectacle, minus the debaucherous fun. (Only in Schumacher’s hands could Uma Thurman come off as a depressed drag queen.)


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