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items tagged with Nancy Teerlinck

Critical Mass: Mike Schulz and Thom White Discuss Area Theatre in 2012
Written By: Mike Schulz
Section: Theatre

Category: Feature Stories

2012-12-31 12:00:00

Mitch Donahue, Alexander Robin Kass, Samantha Pauly, Kristin Gilbert, and Tristan Layne Tapscott in the Circa '21 Dinner Playhouse's Legally Blonde: The MusicalFor our third-annual conversation on the Year in Theatre, Thom White – the Reader’s chief theatre reviewer – and I thought we’d shake things up a bit. So instead of meeting for an hours-long breakfast to discuss the area stage scene, we met for an hours-long dinner to discuss the area stage scene.

And while I managed to keep things lively by spilling a completely full glass of water not 10 minutes after sitting down, we also managed to touch on many of the varied experiences that Thom (occasionally accompanied by his partner’s daughter Madison) and/or I had during another eventful year for fans of the theatre. Pack a lunch, sit back, and dive in ... .


Read More About Critical Mass: Mike Schulz And Thom White Discuss Area Theatre In 2012...


All Abo-o-o-oard!: "The Christmas Express," at the Playcrafters Barn Theatre through November 18
Written By: Mike Schulz
Section: Theatre

Category: Reviews

2012-11-12 12:02:00

Bill Peiffer, Liz Paxton, Nick Waldbusser, and Carli Talbott in The Christmas ExpressThe last time I watched Nancy Teerlinck perform, earlier this year, she offered a moving portrayal of a matriarch making tough, emotional decisions in the Playcrafters Barn Theatre’s Moving. Yet as much as I liked her in that role, I think she’s even better when she’s playing … well, a bitch … such as the one she portrays in Playcrafters’ current offering, The Christmas Express. Teerlinck’s Hilda, who runs the play's Holly Railway Station, is an acerbic, crotchety, sarcastic, bitchy delight, and I think I now love the performer, and want to see this side of her comicality a lot more often.


Read More About All Abo-O-O-Oard!: "The Christmas Express," At The Playcrafters Barn Theatre Through November 18...


The Crate Escape: "Moving," at the Playcrafters Barn Theatre through July 22
Written By: Mike Schulz
Section: Theatre

Category: Reviews

2012-07-16 12:00:00

Alex Richardson and Stephanie Moeller in MovingThere’s a lovely sincerity to the Playcrafters Barn Theatre’s production of Bernard Slade’s Moving, and Saturday’s performance possessed such realism – with notable acting from every member of director Bryan Woods' cast – that I had to wonder how such an impressively produced piece could feel so mismatched with its script.


Read More About The Crate Escape: "Moving," At The Playcrafters Barn Theatre Through July 22...


Now We're Cookin'!: "The Spitfire Grill," at the Timber Lake Playhouse and the Richmond Hill Barn Theatre Through August 21
Written By: Mike Schulz
Section: Theatre

Category: Reviews

2011-08-15 12:01:00

Katie Wesler, Marcia Sattelberg, and Erica Vlahinos in the Timber Lake Playhouse's The Spitfire GrillOn Thursday, I attended the Timber Lake Playhouse musical The Spitfire Grill, and caught another presentation of the piece – this time at the Richmond Hill Barn Theatre – the very next night. I’m actually somewhat disappointed that no additional area venues staged the show over the weekend, because even after two outstanding Spitfire Grills in a row, I would’ve happily made time for more.


Read More About Now We're Cookin'!: "The Spitfire Grill," At The Timber Lake Playhouse And The Richmond Hill Barn Theatre Through August 21...


Home Is Where the Hard Is: "Independence," at the Richmond Hill Barn Theatre through February 20
Written By: Mike Schulz
Section: Theatre

Category: Reviews

2011-02-14 12:00:00

Nancy Teerlinck and Dana Skiles in IndependenceDirector Emmalee Moffitt’s Richmond Hill Barn Theatre production of Independence may be the first work I’ve seen in which the pacing is a problem because it’s too fast. It struck me, while watching Thursday night’s performance, that a lot of tension was lost due to the lack of awkward silences during verbal spats; Moffitt doesn’t allow several scenes to breathe, particularly whenever the play’s matriarch and her eldest daughter argue, and so they wind up playing like ordinary family squabbles, rather than the uncomfortable, dysfunctional altercations playwright Lee Blessing intended.


Read More About Home Is Where The Hard Is: "Independence," At The Richmond Hill Barn Theatre Through February 20...





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