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items tagged with Nathan Lane

Robbie May Be Bloody Bonkers: "Paranormal Activity 4," "Alex Cross," and "Meerkats 3D"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2012-10-22 02:23:35

Kathryn Newton in Paranormal Activity 4PARANORMAL ACTIVITY 4

Pity those who walk into Paranormal Activity 4 having no familiarity with this popular horror series’ previous entries. You should really pity the rest of us, too, but first things first.


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Fairly Stale Fairy Tale: "Mirror Mirror," "Jeff, Who Lives at Home," and "Wrath of the Titans"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2012-04-05 18:15:03

Julia Roberts and Lilly Collins in Mirror MirrorMIRROR MIRROR

Mirror Mirror is a slightly modernized, family-comedy version of the Snow White fairy tale, and offhand, I can think of few directors less suited to the material than this film’s Tarsem Singh, the music-video veteran whose big-screen credits include those wildly baroque (and decidedly adult) spectacles The Cell and Immortals. Yet every once in a while, when a director is spectacularly wrong for a project, the results can be much more interesting than if he were right for it, and that certainly seems the case here; this aimless, pointless little trifle is mostly a drag, but I can only imagine how deadening it might’ve been without Singh at the helm.


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A Good Movie? Aye. A Great Movie? Neigh.: "War Horse," "We Bought a Zoo," "My Week with Marilyn," and "The Darkest Hour"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2011-12-27 20:22:12

Jeremy Irvine in War HorseWAR HORSE

A grandly scaled adventure about a boy who gets a horse, then loses the horse, then joins the British infantry to find the horse, War Horse is the sort of triumphant, lump-in-the-throat epic that director Steven Spielberg should be able to pull off in his sleep. Consequently, the highest compliment I can pay the movie is that its helmer, at all times, appears to be fully awake here. There’s palpable filmmaking energy in nearly every shot, and several passages in this World War I family drama are so thrilling and painful and spectacularly well-choreographed that they rank among the finest in Spielberg’s career.


Read More About A Good Movie? Aye. A Great Movie? Neigh.: "War Horse," "We Bought A Zoo," "My Week With Marilyn," And "The Darkest Hour"...


The Pop of the King: “Michael Jackson’s This Is It,” “Astro Boy,” and “Cirque du Freak: The Vampire’s Assistant”
Written By: Mike Schulz
Section: Movies

Category: Reviews

2009-11-01 18:57:10

Michael Jackson's This Is ItMICHAEL JACKSON'S THIS IS IT

For a film that seemed to have "commercial exploitation" written all over it, Michael Jackson's This Is It is an intensely loving and even indispensable piece of work -- a joyous celebration of performance drive, hard work, and a fearsome amount of skill. Culled from roughly 100 hours of rehearsal footage from the late star's planned concert tour, director Kenny Oretga's behind-the-scenes account doesn't offer much in the way of insight, nor is it meant to. Yet it's still a first-rate spectacle that, at times, provides an almost ridiculous amount of pleasure; somehow, miraculously, Ortega and his editors have shaped their footage into a documentary that boasts the kineticism, excitement, and boundless ebullience of a kick-ass movie musical.


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Momma's Big House: "Tyler Perry's Madea Goes to Jail" and "Fired Up!"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2009-02-23 13:18:47

Tyler Perry in Tyler Perry's Madea Goes to JailTYLER PERRY'S MADEA GOES TO JAIL

Tyler Perry's wildly popular, drag-act creation Madea - the tough-talking matriarch (played by Perry himself) with zero tolerance for foolishness, church, and most of her family members - is an admittedly entertaining figure. Yet she's a really odd character to build a movie around, because this bosomy yowler steadfastly refuses to change, or "grow," or develop in any way that could sustain a feature-length narrative; she's a one-joke, and one-rant, conceit. Maybe that's why it always feels like Madea is intruding on her films, even the ones with her name in the title. By necessity, the movies in which she appears have to treat her as a special guest star, because if they were just 100-ish minutes of Madea's antics, nothing would ever happen in them.


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