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items tagged with New Ground Theatre

Flying Solo: Adam Michael Lewis in "The Santaland Diaries"
Written By: Mike Schulz
Section: Theatre

Category: Feature Stories

2005-11-16 00:00:00
For many stage actors, the chance to perform a one-person show would be a dream come true. For Adam Michael Lewis, this dream has come true, but not, it turns out, for the first time. Or the second. Or even the third.
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Making Fiction Out of Fact: New Ground Theatre's "Promise Ring"
Written By: Mike Schulz
Section: Theatre

Category: Feature Stories

2005-11-09 00:00:00
It’s no newsflash that playwrights often find inspiration in their personal pasts, and use young leading characters as theatrical alter egos; if you want to better understand Tennessee Williams, listen to Tom’s monologues in The Glass Menagerie, or watch Edmund’s scenes in Long Day’s Journey into Night for greater insight into Eugene O’Neill.
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Maintaining Balance on a Bumpy "Road": New Ground Theatre's "Scotland Road"
Written By: Mike Schulz
Section: Theatre

Category: Reviews

2005-09-21 00:00:00

(Warning: Though I’ve tried to be circumspect, details on Scotland Road’s mysteries may slip out. Proceed with caution.)

 

The psychological drama Scotland Road, the first production in New Ground Theatre’s 2005-6 season, is both entertaining and disheartening – entertaining because of the skill of director Michael Oberfield and his cast, disheartening because playwright Jeffrey Hatcher’s work doesn’t quite seem to deserve their skill.


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New Ground Gives Junior Theatre a Facelift
Written By: Mike Schulz
Section: Theatre

Category: Feature Stories

2005-08-24 00:00:00

Chris Jansen, the artistic director of the New Ground Theatre, is a self-described “Junior Theatre kid,” and has the pictures to prove it. She thinks.
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New Ground Turns Mamet’s "Boston Marriage" into a Massacre
Written By: Mike Schulz
Section: Theatre

Category: Reviews

2005-05-25 00:00:00
From first scene to last, New Ground Theatre’s production of Boston Marriage is an almost total misreading of David Mamet’s 1999 work. As usual, New Ground’s decision to tackle offbeat and challenging material is commendable, but its latest offering is so wrong-headed in execution that it makes you understand why audiences often shy away from the offbeat and challenging.
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