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items tagged with Nick Cassavetes

Cheat Wave: "The Other Woman," "The Quiet Ones," and "Brick Mansions"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2014-04-28 01:16:54

Cameron Diaz, Kate Upton, and Leslie Mann in The Other WomanTHE OTHER WOMAN

Unduly high expectations, as we all know, can sometimes ruin your movie-going experience. Unduly low expectations, on the other hand, generally yield nothing but benefits, and so I’d like to thank film-critic consensus for making me so fearful of Nick Cassavetes’ The Other Woman. This revenge comedy may be indefensibly weak, but the unbridled and unwarranted zeal with which so many people are attacking it – The Dispatch/Rock Island Argus used Richard Roeper’s description “excruciatingly awful” as the review’s headline – makes me feel that some defense might be necessary.


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Charmed and Dangerous: "Public Enemies," "Away We Go," and "My Sister's Keeper"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2009-07-03 12:00:00

Johnny Depp in Public EnemiesPUBLIC ENEMIES

With a low-key yet intensely charismatic Johnny Depp as its lead, you could describe Michael Mann's Public Enemies as the story behind the criminal activity of the infamous, Depression-era bank robber John Dillinger. But that's not entirely accurate. The film is also about the nascent, frequently misguided authority of the FBI, personified here by a stalwart agent (a somber, less-throaty-than-usual Christian Bale) and showboating chief J. Edgar Hoover (a spectacular Billy Crudup). It's also about early media saturation in our country, and the public's complicity in turning villains into heroes, and the labyrinthine hierarchies among American gangsters, and - as embodied by a dazzlingly desirable and powerful Marion Cotillard - the ever-unpredictable nature of love. And, more than anything, it's about the exquisite craftsmanship of Michael Mann, whose Public Enemies doesn't look or sound quite like any other crime movie you've seen, and whose technical virtuosity might make Public Enemies impossible to forget.


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Out of Step: "Stomp the Yard," "Alpha Dog," and "Curse of the Golden Flower"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2007-01-17 08:14:20

Columbus Short in Stomp the YardSTOMP THE YARD

Before seeing Stomp the Yard, in which a young hip-hop dancer from Los Angeles adjusts to fraternity life at Atlanta's Truth University, I didn't know much about step dancing. But after watching director Sylvain White's inspirational drama, I discovered that there are apparently two distinct types - there's great step dancing and then there's really great step dancing. Though the movie is ostensibly a coming-of-age story wherein our hero, DJ (Columbus Short), finds respect and love during his first year of school, it's really just 8 Mile or Bring It On for the dance world, as warring frats compete to see whose moves out-step whose. (Step dancing - frequently practiced at African-American universities - is a combination of marching and precise choreography, generally accompanied by chants and, in this movie's case, taunts.) Yet it's pretty easy to guess which groups of dancers will be considered the greatest in Stomp the Yard - it's whichever dancers go next.


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Washington Can’t Save the Witless "John Q.": Also, "Collateral Damage"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2002-02-20 00:00:00

Denzel Washington in John Q.JOHN Q.

In Nick Cassavetes’ soapbox-lecture-cum-thriller John Q., Denzel Washington stars as blue-collar worker John Archibald, a middle-aged Chicagoan struggling with tight finances but deeply in love with his wife, Denise (Kimberly Elise), and a great father to their only son, Mike (Daniel E. Smith). While rounding the bases at a little-league game, Mike collapses, and it’s revealed that Mike’s heart is three times the size it should be; unless the Archibalds can come up with the enormous fee required for a heart transplant, Mike will die. The Archibalds do have health insurance, but because their insurance company recently switched to an HMO (cue the duh-duh-dun music), their coverage is no longer sufficient for Mike’s operation, and when all of their other money-raising options have been eliminated, John arms himself, takes the hospital’s emergency room hostage, and announces that, yes, Mike will be getting that transplant.


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