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items tagged with Nova 6 Cinemas

"Punch-Drunk Love" Is a Sandler Movie for Nobody: Also, "Tuck Everlasting," "Full Frontal," and "Igby Goes Down"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2002-10-30 00:00:00

Emily Watson and Adam Sandler in Punch-Drunk LovePUNCH-DRUNK LOVE

Punch-Drunk Love is exactly what its writer-director, Paul Thomas Anderson, claims it to be – “an art-house Adam Sandler movie” – yet I can’t be alone in thinking: What’s the point of that? Is Anderson merely trying to show up the hacks who’ve directed Sandler in other films? (Again: What’s the point?) All throughout, the movie is beautifully filmed, exquisitely composed, and filled with Anderson’s uncanny knack for stretching a scene out longer than it should humanly run and making you hang on every delirious second of it.


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Oscar-Winning "Iris" Misses Its Mark: Also, "Life or Something Like It"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2002-05-01 00:00:00

Jim Broadbent and Judi Dench in IrisIRIS

Allow me a moment, if you will, to thank the folks at Moline’s Nova 6 Cinemas for their continued efforts at occasionally booking more offbeat cinematic fare than the multiplex standard.


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Lynch’s Latest Builds a Dream Palace: "Mulholland Dr.", "Heist," and "Life as a House"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2001-11-14 00:00:00

Laura Elena Harring in Mulholland Dr.MULHOLLAND DR.

We’ve all had the experience: It’s the middle of the night, and you awaken from a dream so vivid, so unreal, so funny and terrifying in equal measure, that your only thought is to go back to sleep immediately, to re-enter that astonishing dream state and keep it going.


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Pixar’s Latest Is Its Least ... and Still Great: "Monsters, Inc.", "Domestic Distrubance," and "The One"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2001-11-07 00:00:00

Sulley in Monsters, Inc.MONSTERS, INC.

Saying that Pixar’s Monsters, Inc. is the weakest of its quartet of computer-animated feature films is like bitching that you got a Jaguar for Christmas when you really wanted a Porsche; instead of achieving the genius-level greatness of the Toy Story films and A Bug’s Life, the studio’s new work is just brilliantly designed, cleverly plotted, and funny as all get-out. What’s to complain about?


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Acting Duo Elevates "K-PAX": Also, "13 Ghosts"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2001-10-31 00:00:00

Kevin Spacey in K-PAXK-PAX

Kevin Spacey has made a career out of being snidely patronizing, of being the smartest person in the room, and that’s what I adore about him; he patently refuses to be lovable, and his wicked intelligence and dry-as-sandpaper line readings give a snap to just about every role he plays. (That’s why his performance as the physically and emotionally scarred teacher in last year’s imbecilic tearjerker Pay It Forward was so disappointing; he’s not built for sentiment, and his presence in that mopey role merely exposed the film’s schmaltziness.) I guess it was inevitable that Spacey, who always comes off as knowing more than we do, would one day play an alien (or is he?) who arrives on Earth to teach us all lessons about life and love that we can’t figure out for ourselves. And so we have K-PAX, which had the potential to be excruciating but, as directed by Iain Softley and performed by a marvelous cast led by Spacey and Jeff Bridges, turns out to be thoroughly engaging; it’s a case study in how the right director and performers can redeem mostly worthless material.


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